AltWeeklies Wire
Why Little White Teeth Won't Stay Under Wraps for Much Longernew
Along with his wife and drummer Yuko Sugiyama and guitarist Dmitri Dziensuwski, bassist and vocalist Phil Beaumont provides the framework for Little White Teeth’s discreet, sublime sounds, which have undoubtedly soothed their neighbors during otherwise quiet evenings.
San Diego CityBeat |
Todd Kroviak |
03-04-2009 |
Profiles & Interviews
Tags: indie rock, Little White Teeth
El Moz: The Mexican Morrisseynew
Thanks to his ability to soothe an immigrant’s heart without even trying, in the world of rock no one is more Mexican than Morrissey.
San Antonio Current |
Enrique Lopetegui |
03-04-2009 |
Profiles & Interviews
The Seasoned Men of Horse Are Making the Best Music of Their Lifenew
U.S. Metal takes a time-tested, bare-knuckled approach to the type of metal that's built on driving riffs and double kicks, resulting in a taut, classic, thrash sound that nods to vintage Pantera.
Westword |
Dave Herrera |
03-02-2009 |
Profiles & Interviews
Stephen Rippy Sets 'Halo Wars' High Scorenew
Just as there's a market for Swedish klezmer-punk or smooth jazz or comedy rock or Josh Groban, there's a market for video-game scores, bootlegs of which sell like, um, action figures at comic and sci-fi conventions. Those who keep tabs on such things sweated Stephen Rippy's score for the Xbox release Halo Wars.
Dallas Observer |
Robert Wilonsky |
03-02-2009 |
Profiles & Interviews
The Dexateens Stay True to Punk and Country Rocknew
The band has been bringing its mix of loose, Stones-like swagger, punk energy and southern rock to music clubs throughout the southeast for more than 10 years. As they move into their second decade, the group is working to build on its history through regular shows and new recording projects.
Jackson Free Press |
Larry Morrisey |
03-02-2009 |
Profiles & Interviews
The Creepshow Isn't Afraid to Take on U.S. Customs -- Almostnew
Like the bastard offspring of Elvis Costello and Elvira, The Creepshow is a Canadian "hellbilly" (horror-punk-rockabilly) act that hits every known musical sweet spot.
Tucson Weekly |
Jarret Keene |
02-26-2009 |
Profiles & Interviews
Is The Game Over?new
In a phone interview, he insists his latest album, L.A.X., will be his final one, and he sounds as if he's fishing for praise when he explains why: "'Cause, see, you guys don't need me anymore. You got all these other wack rappers that you love so much."
Phoenix New Times |
Ben Westhoff |
02-24-2009 |
Profiles & Interviews
The Born Liars Set Sailnew
Some of the stories circulating about the glammy garage-rockers make even noted wild men like the Who's Keith Moon or anyone in Motley Crue almost seem like amateurs.
Houston Press |
Chris Gray |
02-24-2009 |
Profiles & Interviews
The Early Republic Is Dallas' Latest Retreadnew
As the electro-dance pop-rock outfit took to the stage at the House of Blues' Pontiac Garage to celebrate the official release of its new, self-titled LP, it was tough to fully get behind what the band was trying to do. Mostly because it's all been done before.
Dallas Observer |
Pete Freedman |
02-23-2009 |
Profiles & Interviews
Tags: Dallas, The Early Republic
J. Mascis Takes Off His Guitar and Sits Behind the Drums in Witchnew
Once you get Mascis talking about drumming, he grows (comparatively) animated. As renowned a guitarist as he's become, drums are his first and truest love.
Philadelphia Weekly |
Michael Alan Goldberg |
02-23-2009 |
Profiles & Interviews
The Perennial Outsider: 'Years of Refusal'new
Morrissey is back to form with this, by far his best album since 1994's Vauxhall and I.
Tucson Weekly |
James Hudson |
02-20-2009 |
Profiles & Interviews
Origami Ghosts Are Neither Complicated Nor Scary; Discussnew
Origami Ghosts' music is not complicated nothingness, and it's far from frustrating--it's actually quite the opposite: minimalist everythingness, if you will, easy to listen to and surprisingly playful.
Tucson Weekly |
Annie Holub |
02-20-2009 |
Profiles & Interviews
A.A. Bondy Prefers Recording in Barns to Fiddling with Computersnew
There are two types of successful indie-folk musicians: the kind that takes your breath away, and the kind that breaks your heart.
Tucson Weekly |
Jarret Keene |
02-20-2009 |
Profiles & Interviews
Jessica Lea Mayfield Has a Lifetime of Experiencenew
Jessica Lea Mayfield can sound as old as the earth, bearing the wisdom of generations in her placid voice. But like the very best pop music, Mayfield's songs are motored by the hopes and desperation of adolescence, which stands to reason: She's only 19.
The Portland Mercury |
Ned Lannamann |
02-19-2009 |
Profiles & Interviews
The Second Coming of Antony and the Johnsonsnew
Despite the long history of androgyny and gender confusion in pop music, Antony Hegarty has had a unique talent for creating majesty out of his confusions.
Boston Phoenix |
Daniel Brickman |
02-19-2009 |
Profiles & Interviews
