AltWeeklies Wire

Children of the '80snew

The music of Brooklyn trio Chairlift will take you back.
Tucson Weekly  |  Annie Holub  |  08-07-2008  |  Profiles & Interviews

Sound and Texturenew

Austin's Octopus Project use whatever they can to make their unique instrumental music.
Tucson Weekly  |  Bob Grimm  |  08-07-2008  |  Profiles & Interviews

Meet Eefnew

The frontman of Clem Snide goes solo with Lose Big.
Tucson Weekly  |  Annie Holub  |  07-24-2008  |  Profiles & Interviews

Harvey Milks Assaults the Sensesnew

Harvey Milk share their brand of blues rock with audiences west of the Mississippi for the first time.
Tucson Weekly  |  Gene Armstrong  |  07-24-2008  |  Profiles & Interviews

Creative Trippinessnew

The Warlocks and their droning, psychedelic rock continue to fascinate.
Tucson Weekly  |  Gene Armstrong  |  07-18-2008  |  Profiles & Interviews

On Wolf Paradenew

Literate, visceral and exceptionally productive, this pack upsets conventions.
Tucson Weekly  |  Michael Petitti  |  07-18-2008  |  Profiles & Interviews

Tilly and the Wall's Latest Taps Through Boundariesnew

O is a half-hour of foot-stomping, hand-clapping energy -- and not just metaphorically. "Pot Kettle Black" and "Poor Man's Ice Cream," two of the loudest and wildest songs, both have a stomp team providing the rhythm.
Tucson Weekly  |  Annie Holub  |  07-10-2008  |  Profiles & Interviews

Southwestern Electronic Faves ... music video? Prepares to Take the Next Stepnew

The duo recently played the South by Southwest Music Conference in Austin, and that brought them to the attention of National Public Radio, which featured the band in an article on its music Web site. Now they are preparing for their first tour.
Tucson Weekly  |  Gene Armstrong  |  07-10-2008  |  Profiles & Interviews

Surviving Sun City Girls Tour to Honor Fallen Bandmatenew

It could be argued that Sun City Girls were--alongside the Meat Puppets -- one of two of the most interesting, prolific and, perhaps, influential bands to emerge from the Phoenix independent music scene of the 1980s.
Tucson Weekly  |  Gene Armstrong  |  07-03-2008  |  Profiles & Interviews

Jeremy Jay's Present Vintage Rock on His Debut Full-lengthnew

Recorded by Calvin Johnson at his Dub Narcotic Studio in Olympia, Wash., A Place Where We Could Go presents Jeremy Jay as the K Records version of Buddy Holly--classic, vintage rock, but delivered with that K Records raw and relaxed aesthetic, which, said Jay, comes partly from the vintage equipment in Johnson's studio.
Tucson Weekly  |  Annie Holub  |  06-26-2008  |  Profiles & Interviews

The Fleet Foxes Embrace Varied Source Materialsnew

The group's sound is an intricate architecture of baroque, psychedelic rock with addition of the infectious melodies of classic pop music. They accomplish this with not only the standard weapons of rock 'n' roll, but with instruments such as tympani, mandolin, organ, dulcimer and koto.
Tucson Weekly  |  Gene Armstrong  |  06-26-2008  |  Profiles & Interviews

Cryptacize Revolutionizes Musical Theaternew

The band is trying to find that happy medium between commanding the attention of rock fans with sparse instrumentation and beneath-the-surface theatricality.
Tucson Weekly  |  Annie Holub  |  06-19-2008  |  Profiles & Interviews

Mat Brooke Gets Upbeat with Grand Archivesnew

Eschewing the mopiness of Carissa's Wierd and the country-esque Southern sound of Band of Horses, Archives was envisioned as a more uplifting band, heavy on lush vocal harmonies -- four of the five members sing -- and a peaceful, easy vibe that recalled the Laurel Canyon scene of Los Angeles in the early-to-mid-'70s.
Tucson Weekly  |  Stephen Seigel  |  06-19-2008  |  Profiles & Interviews

Adrienne Young Tours to Help the Local-Foods Movementnew

Young makes acclaimed homegrown music and is a vocal activist for sustainable agriculture and the movement supporting the growing, buying and consuming of organic and locally grown foods.
Tucson Weekly  |  Gene Armstrong  |  06-19-2008  |  Profiles & Interviews

Hayden's Newest Album is Original, Interesting and Government-fundednew

Part of the reason we're seeing so many talented Canadian bands these days has to do with the fact that they can actually get government funding for making music.
Tucson Weekly  |  Annie Holub  |  06-11-2008  |  Profiles & Interviews

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