AltWeeklies Wire

Terence Blanchard Leads the Waynew

Using his music to help shed light on the entire Katrina tragedy, the horn player recently wrote and performed the music for director Spike Lee's highly acclaimed HBO documentary, When the Levees Broke. Then Blanchard went a step further by adding to the music used in Lee's film to create the recently released album, A Tale of God's Will (A Requiem for Katrina).
Charleston City Paper  |  Alan Sculley  |  01-30-2008  |  Profiles & Interviews

Coming Up Shortynew

Fame's fickle spotlight eluded Guitar Shorty for a good quarter-century, before rediscovering him the past few years.
Charleston City Paper  |  Chris Parker  |  01-23-2008  |  Profiles & Interviews

Spin Doctors Frontman Seeks to Reconnectnew

The mixed commercial success of the Spin Doctors' recent albums and the band's perpetual love/hate relationship with themselves have influenced Chris Barron to record his first mainstream solo effort, Pancho and the Kid.
Charleston City Paper  |  Josh Eboch  |  01-23-2008  |  Profiles & Interviews

The New Music Collective's New Project is a Strong Effortnew

These aren't tweedy types scoring self-serving masterpieces that will never be heard. The NMC aims to perform its work. In front of people. And those people, some of them devotees of the jam music scene with curious minds and open ears, seem to like it a lot.
Charleston City Paper  |  John Stoehr  |  01-23-2008  |  Profiles & Interviews

Band of Horses Come Homenew

The opening guitar notes and soft cymbal splash creep up on you subtly, before Ben Bridwell's potent, reedy voice alights "Is There a Ghost" with its recurring pronouncement, "I could sleep, I could sleeee-eep."
Charleston City Paper  |  Jeff Clark  |  01-16-2008  |  Profiles & Interviews

Mike Farris: a Uniquely Redemptive Storynew

"When I'm playing music, it's like prayer," Farris says.
Charleston City Paper  |  T. Ballard Lesemann  |  01-09-2008  |  Profiles & Interviews

Will Hoge: The Man Behind the Curtainsnew

For a guy who's spent two-thirds of each year for the last 10 on the road as a working musician, Will Hoge maintains a refreshing sense of humor about it all.
Charleston City Paper  |  Jon Santiago  |  12-26-2007  |  Profiles & Interviews

Soul:Sister:Musicnew

Laura Reed & Deep Pocket's inspired voice continues to grow.
Charleston City Paper  |  Christine McDermott  |  12-19-2007  |  Profiles & Interviews

Gaslight Street Polishes Its Actnew

The Charleston rock quartet's spiritual home seems to be the Deep South by way of London circa 1967.
Charleston City Paper  |  T. Ballard Lesemann  |  12-12-2007  |  Profiles & Interviews

Dublin's Mike Got Spiked Seize the Statesnew

The band plays frighteningly tight hybrid of emo-metal, old-school punk, and bar-room mischief -- aggressive and solid.
Charleston City Paper  |  T. Ballard Lesemann  |  12-05-2007  |  Profiles & Interviews

Creech Holler Twist the Murky Music of the Delta & the Appalachiansnew

The Tennessee/Carolina trio plays blood-soaked country blues and reverberations.
Charleston City Paper  |  T. Ballard Lesemann  |  11-28-2007  |  Profiles & Interviews

Steep Canyon Rangers Flex Bluegrass Chopsnew

The Rangers are one of the few young bluegrass bands die-hard traditionalists don't mutter under their breath about.
Charleston City Paper  |  Stratton Lawrence  |  11-07-2007  |  Profiles & Interviews

Jay Clifford Officially Goes Solonew

The Charleston songwriter reveals a finely-tuned solo debut this week.
Charleston City Paper  |  T. Ballard Lesemann  |  10-31-2007  |  Profiles & Interviews

They Might Be Giants Switch Gears Yet Againnew

The band recently made a daring move, undertaking a surprising, unexpected collaboration with notorious production team the Dust Brothers.
Charleston City Paper  |  Alan Sculley  |  10-31-2007  |  Profiles & Interviews

Mute Math's Spirited Strugglenew

Mute Math survived a tangle with a major label and played their rock their way.
Charleston City Paper  |  Alan Sculley  |  10-24-2007  |  Profiles & Interviews

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