AltWeeklies Wire

Dead Aheadnew

The band's sound is everything you'd expect from a group with ties to two illustrious music scenes as disparate (yet kindred-spirited) as Muscle Shoals and Haight-Ashbury.
Jackson Free Press  |  James Hughes  |  03-28-2008  |  Profiles & Interviews

Luke Doucet Settles Downnew

For the uninitiated, it may sound like Doucet is one of the new fret-shredders taking up the torch from neck-wringers like Steve Vai, but nothing could be further from the truth. Doucet's solos are kept on a leash and never overstay their welcome, and the one thing you should really know about Doucet is that the man is an expert songwriter.
Montreal Mirror  |  Johnson Cummins  |  03-28-2008  |  Profiles & Interviews

Pas Chic Chic Swims Against the Current of Quebec Popnew

The band draws big bilingual crowds with a deep, dark European approach to pop.
Montreal Mirror  |  Lorraine Carpenter  |  03-28-2008  |  Profiles & Interviews

The Monads Turn Tradition on its Tailnew

Accordion, banjo, upright bass and especially nimble fiddle dominate songs on Ornery.
Riverfront Times  |  Annie Zaleski  |  03-28-2008  |  Profiles & Interviews

Rey Norteno Sings One for the Roadnew

With their clean-cut sex appeal and yes ma'am manners, the members of Rey Norteno have become role models for an all-ages fan base, especially young Latinos who wait in long lines to get posters, hats and T-shirts signed.
INDY Week  |  Sylvia Pfeiffenberger  |  03-27-2008  |  Profiles & Interviews

For Eels, There's Life After Memoirnew

Customarily, a career retrospective and personal memoir come at the tail end of an artist's career. And despite Mark Oliver Everett's claims to the contrary, the book serves as a fitting bookend to his tumultuous career.
New York Press  |  Doug Black  |  03-27-2008  |  Profiles & Interviews

Meshuggah's Made in Swedennew

Meshuggah's one of several Swedish bands who have moved death metal past its butcher-shop chops.
The Portland Mercury  |  Mike Meyer  |  03-27-2008  |  Profiles & Interviews

Jeffrey Lewis Goes His Waynew

At his core, Lewis is an acoustic guitar-toting New York folkie wrapped in punk-rock values. Don't look or sound the part? So what? Indeed, in Lewis' perfect imperfections lie the roots of his charm.
The Portland Mercury  |  Andrew R. Tonry  |  03-27-2008  |  Profiles & Interviews

Jim White Has Finally Found What He Searched Fornew

There is a great deal of both liberation and ineffability on Transnormal Skiperoo, which is a welcome rebound from White's uneven 2004 album, Drill a Hole in that Substrate and Tell Me What You See.
The Portland Mercury  |  Chas Bowie  |  03-27-2008  |  Profiles & Interviews

Downbeatnew

BILL, the New England band fronted by Bill Gage, the vocalist with Down syndrome, is not what you expected -- no matter what you expected.
Boston Phoenix  |  Ian Sands  |  03-27-2008  |  Profiles & Interviews

Cody Dickinson's Ulterior Motivesnew

North Mississippi Allstars serve up a side of hill country blues.
Creative Loafing (Atlanta)  |  Chris Parker  |  03-27-2008  |  Profiles & Interviews

Jose Gonzalez, the Minstrel of Melancholynew

It's hard to imagine what an audience does during a Jose Gonzalez performance, especially when the club doesn't provide floor space or pillows to recline on. Calling his stark, spiraling ballads mellow would be an understatement; trancelike is far more accurate.
East Bay Express  |  Matthew Green  |  03-27-2008  |  Profiles & Interviews

Kevin Costner Not Just Actingnew

Things are going mighty fine for Kevin Costner's side project, Modern West. The band goes back over 20 years when Kevin met actor/musician Coinman in L.A. during an acting workshop.
Charleston City Paper  |  T. Ballard Lesemann  |  03-26-2008  |  Profiles & Interviews

Kimya Dawson's Solo Endeavor Stays Sweetnew

At first listen, the acoustic music of folk-pop singer/songwriter Kimya Dawson may seem childlike, sparse, and uncomplicated. After a few spins, however, her personable charm, positive vibe, and self-assured sense of intimacy are anything but kids' stuff.
Charleston City Paper  |  T. Ballard Lesemann  |  03-26-2008  |  Profiles & Interviews

The Fleshtones Won't Go Quietly Into the Nightnew

More than 30 years into a career that's seen them laugh in the face of ridicule and spit in the face of imminent success, the Fleshtones are staging their own revival.
San Antonio Current  |  Chris Parker  |  03-26-2008  |  Profiles & Interviews

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