AltWeeklies Wire
Know Thy Spouse?new
A bizarrely complicated love triangle that unfolds during the film's 90 minutes. To get technical, the shape of the affairs that ensue is much more amorphous than a triangle, but "love polygon" has less of a ring.
Boise Weekly |
Travis Estvold |
04-30-2008 |
Reviews
Tags: Ira Sachs, Married Life
Good Cast, Wastednew
This pretty but bland film rests solely on the shoulders of its stars.
Eugene Weekly |
Molly Templeton |
04-17-2008 |
Reviews
Tags: Ira Sachs, Married Life
How to Murder Your Wifenew
Sachs keeps the love-trianlge story in swift forward motion with moments of knife's edge suspense and surprises within surprises.
Shepherd Express |
David Luhrssen |
04-04-2008 |
Reviews
Tags: Ira Sachs, Married Life
'Married Life' Gets Dark Laughsnew
It always pains me to use the word tandem "chamber drama," but there you have it.
San Antonio Current |
Ashley Lindstrom |
04-02-2008 |
Reviews
Tags: Ira Sachs, Married Life
'Married Life' is Familiar but Rewardingnew
The pleasures of the film Married Life could be compared to the midpoint of a happy marriage; while some films elicit the ecstatic rush one might feel with a new lover, Ira Sachs' sleek, smart tale comforts us with its familiarity, routine and trust.
Tags: Ira Sachs, Married Life
'Married Life': A Light Romp of Love, Lust & Murdernew
Kudos to director Ira Sachs, who turned a low budget to his advantage, using only the most minimal of period set pieces and evoking the filmmaking of the target time with canny, simple camerawork and a talented cast.
Dig Boston |
David Wildman |
03-20-2008 |
Reviews
Tags: Ira Sachs, Married Life
Far From Heavennew
Clearly inspired by Todd Haynes, Ira Sachs' film doesn't quite compare.
L.A. Weekly |
Ella Taylor |
03-11-2008 |
Reviews
Tags: Ira Sachs, Married Life
Putting the 'F' in Family Dramanew
Forty Shades of Blue is a film that proves honesty isn't everything.
Dig Boston |
Chris Braiotta |
11-09-2005 |
Reviews
Tags: Ira Sachs, Forty Shades of Blue
Love Hurts in Heartbreaking Filmnew
The film suggests a marriage of Robert Altman's early work, with gallivanting but rich character studies, and the penetrating view of marriage and loneliness in Henrik Ibsen's A Doll's House.
Creative Loafing (Atlanta) |
Felicia Feaster |
11-04-2005 |
Reviews
Tags: Ira Sachs, Forty Shades of Blue
