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Only a Thread: Romero Loses His Credibility

Sometimes nothing is better than something. George A. Romero's latest zombie retread demotes the 70-year-old filmmaker to a pale imitation of the groundbreaking director who invented zombie satire in 1968 with Night of the Living Dead, and then went on to full-on postmodern force with Dawn of the Dead and Day of the Dead.
City Pulse  |  Cole Smithey  |  05-24-2010  |  Reviews

Horror With Smartsnew

George Romero promotes the DIY ethic in the clunky yet catchy Diary of the Dead.
Tucson Weekly  |  James DiGiovanna  |  03-20-2008  |  Reviews

The Scary Film Projectnew

Amid the obligatory splattered brains and oozing entrails, Romero examines the ubiquity of our multimedia culture, a world where "if it's not on video, it's not real," and assails how the YouTube generation has become desensitized to violence, disaster, war and death.
INDY Week  |  Neil Morris  |  02-14-2008  |  Reviews

Where's George A. Romero?new

Coming on the heels of Cloverfield, a similar but far more ambitious film, Diary of the Dead doesn't have the impact that it should -- especially given the fact that it's a Romero zombie film -- and ultimately does little to add to the genre.
Willamette Week  |  David Walker  |  02-13-2008  |  Reviews

Apocalyptic Terrainnew

Zombie godfather Romero peels off yet another worthy amalgam of the two essential elements in his oeuvre: an obvious yet spot-on central metaphor and a creative approach to bodies going splat.
Orlando Weekly  |  Steve Schneider  |  07-14-2005  |  Reviews

Romero Walks The Line

Romero's typical themes are present, but there's a greater emphasis on action this time.
Dayton City Paper  |  Aaron Epple  |  06-29-2005  |  Reviews

Zombie Nationnew

Romero has again crafted a character-driven horror film that doubles as a metaphor for the economic disparity in America and, to a lesser degree, the war on terror.
Austin Chronicle  |  Marc Savlov  |  06-24-2005  |  Reviews

It's Zombie Nation in Land of the Deadnew

George A. Romero's latest film proves that the new generation of zombie auteurs has exceeded their teacher.
Creative Loafing (Atlanta)  |  Curt Holman  |  06-23-2005  |  Reviews

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