AltWeeklies Wire
'In the Loop' is a Dark Satire for Dark Daysnew
Taking his cue from The Office, Armando Iannucci delivers a deliciously corrosive backstage view of the Iraq War years, as Brits and Yanks danced around what they knew was a foregone conclusion of their own making.
San Antonio Current |
Jeff Meyers |
08-12-2009 |
Reviews
'The Hurt Locker' Shows a Slower, but No Less Scary, Side of Warnew
With fierce performances by a largely unknown cast and restrained and effective direction, The Hurt Locker helps complete a picture the nightly news cannot hope to show.
Boise Weekly |
Jeremiah Wierenga |
07-29-2009 |
Reviews
'The Hurt Locker': Kathryn Bigelow's Ticket to the Oscarsnew
This film is a career best for Bigelow: tense, compressed, and often wordless for page after page of action. With the field opened up for 10 nominees this year, this movie has a lock on an Oscar nom.
Seattle Weekly |
Brian Miller |
07-13-2009 |
Reviews
'The Hurt Locker' is the First Good Film About the Iraq Warnew
So, yes, someone finally made a decent feature about the Iraq War. Bigelow accomplishes that because she doesn't make it about the war at all, but rather about men whose incredibly stressful jobs put them smack in the war zone.
San Diego CityBeat |
Anders Wright |
07-08-2009 |
Reviews
'The Lucky Ones': Back From Iraq, But Lost in Americanew
The Lucky Ones is a road movie, but, though Colee, Fred Cheever, and T.K. Poole cover more than 1,700 miles after deplaning at JFK, the film is remarkably indifferent to the physical landscape of the United States.
San Antonio Current |
Steven G. Kellman |
10-01-2008 |
Reviews
'The Lucky Ones': The War Over Therenew
The latest movie about Iraq vets is provocative -- but do Americans want to be provoked?
Chicago Reader |
J.R. Jones |
09-29-2008 |
Reviews
Soldiers on Leave Have the Usual Wacky Road Trip Adventures in 'The Lucky Ones'new
The only movie genre more exhausted than the road-trip movie is the coming-home movie.
New York Press |
Mark Peikert |
09-25-2008 |
Reviews
'The Lucky Ones' is Yet Another Crappy Iraq War Movienew
Just what is it about the current war, you have to wonder, that inspires such painfully mediocre movies?
Las Vegas Weekly |
Mike D'Angelo |
09-25-2008 |
Reviews
'Operation Filmmaker' is an Engrossing and, At Times, Infuriating Documentarynew
Not only are the connections driven home a little more forcefully than necessary, like the War In Iraq, Operation Filmmaker has no ending. Instead, it falls into a cycle of repetition until Davenport and her subject finally melt down beyond repair and the story, like much of life, goes unfinished. No conclusion is offered.
Metro Times |
Jeff Meyers |
09-23-2008 |
Reviews
'Standard Operating Procedure' Lets the Soldiers of Abu Ghraib Hang Themselvesnew
Errol Morris has pointed his lens at lion tamers, Floridians, a Holocaust denier and now the Abu Ghraib soldiers, who talk themselves right into perdition.
Style Weekly |
Wayne Melton |
06-11-2008 |
Reviews
'Battle for Haditha' is Iraq Fiction Worth Seeingnew
A rare dramatic film from veteran documentarian Nick Broomfield, this film's final outcry of grief, vengeance, and injustice is a terrifying illustration of how badly we've bungled -- by creating new terrorists in attempting to eradicate established ones.
San Francisco Bay Guardian |
Dennis Harvey |
05-14-2008 |
Reviews
Tags: Iraq, Battle for Haditha
'War, Inc.': Savage Satire Compares to Reality
The would-be comic lampoonery, about a time when all wars are outsourced, mirrors the realities of America's corporate-enabled occupation of Iraq.
'Standard Operating Procedure' Deconstructs the Abu Ghraib Photosnew
Once again, Errol Morris is dealing with war at its morally foggiest.
Los Angeles CityBeat |
Andy Klein |
05-02-2008 |
Reviews
Errol Morris and the Aesthetics of Evidencenew
While the endlessly loquacious and deeply political director has made a film about Abu Ghraib and the secondary victims (those who were punished of low rank and those of higher rank who created the atmosphere where such violations were possible were not), he's more interested in dissecting the meaning of photography.
Chicago Newcity |
Ray Pride |
04-30-2008 |
Reviews
'Standard Operating Procedure' Profiles Abu Ghraib Torturersnew
Errol Morris is more interested in political posturing and special effects than exposing a military disgrace.
New York Press |
Armond White |
04-24-2008 |
Reviews
