AltWeeklies Wire

Seven Psychopaths gleefully guts crime-movie tropesnew

The second feature from writer/ director/ playwright/ Anglo-Irishman Martin McDonagh continues in the same deconstructive, profanely funny vein he brought to his 2008 debut In Bruges.
INDY Week  |  Craig D. Lindsey  |  10-10-2012  |  Reviews

Ben Affleck's directing career continues to impress with Argonew

In the final scenes of Argo I was literally on the edge of my seat, leaning forward. I can't remember the last time that's happened.
INDY Week  |  Glenn McDonald  |  10-10-2012  |  Reviews

Idiosyncratic vision of American empire in The Masternew

In The Master, Paul Thomas Anderson (There Will Be Blood) returns to familiar themes of his short but resplendent filmography: the search for a father figure or lost son; dysfunctional family relationships; and flawed men fated to self-destruction.
INDY Week  |  Neil Morris  |  09-19-2012  |  Reviews

A writer with power in Ruby Sparksnew

The amusing but ultimately tepid comedy Ruby Sparks has a provocative and potentially harrowing premise.
INDY Week  |  David Fellerath  |  08-08-2012  |  Reviews

Safety Not Guaranteed raises low-key and worthwhile questionsnew

Can someone who is very serious about something laughably eccentric be treated with respect? How far can a movie dissociate itself from its plot's reason for existing and remain honest?
INDY Week  |  Nathan Gelgud  |  08-02-2012  |  Reviews

Woody Allen's To Rome with Love explores that whole sad clown thingnew

Ruggero Leoncavallo's famous opera Pagliacci (or Clowns) is a perfect fit for Allen's themes, if not for his lifelong identity: This is the opera where that whole sad clown thing comes from.
INDY Week  |  Nathan Gelgud  |  07-06-2012  |  Reviews

Hyper-violent, soul-suckingly awful Savagesnew

Savages was clearly assembled by a committee charged with synthesizing the hippest films about crime and Mexico of the last generation.
INDY Week  |  David Fellerath  |  07-06-2012  |  Reviews

A benign, cozy world in Wes Anderson's Moonrise Kingdomnew

Anderson makes us long to be in the shoes of these characters by sealing his universe into a well-haberdashed container of nostalgia.
INDY Week  |  Nathan Gelgud  |  06-27-2012  |  Reviews

Rock of Ages is good only for the nostalgianew

While the soundtrack may have your toes tapping, director Adam Shankman's staging is slapdash and silly, as if he was assembling a hair band-themed amusement park ride.
INDY Week  |  Neil Morris  |  06-19-2012  |  Reviews

Remarkably insipid Hysteria recounts the invention of the vibratornew

What could have been a quirky and entertaining tale of Victorian London plus vibrators instead turns into 90 minutes of predictable plot lines and flat characters.
INDY Week  |  David Fellerath  |  06-18-2012  |  Reviews

Adams Apples is a taste of Gollywoodnew

Adams Apples is a 10-part movie series revolving around three Ghanaian women and the ups and downs they go through with their relationships.
INDY Week  |  Craig D. Lindsey  |  06-14-2012  |  Reviews

A surprising killer in Bernie, Richard Linklater's Texas black comedynew

The biggest surprise about Bernie is the way it shifts from a chirpy comedy about cold-blooded murder to a tricky moral tale without weighing down its easygoing tone or casual, jokey spirit.
INDY Week  |  Nathan Gelgud  |  06-01-2012  |  Reviews

Sacha Baron Cohen spoofs post-9/11 U.S. in The Dictatornew

The most immediate criticism of The Dictator is also its biggest strength: It is extremely offensive.
INDY Week  |  Grayson Currin  |  05-16-2012  |  Reviews

An Algerian immigrant teaches Canadian children in Monsieur Lazharnew

The film is a tale of healing—for the children, who despite their material comfort are suffering from emotional neglect, and for Lazhar, who is applying for political asylum after suffering a terrible trauma in Algeria.
INDY Week  |  David Fellerath  |  05-16-2012  |  Reviews

Whit Stillman returns with Damsels in Distressnew

When Stillman's first film appeared in 1990, he was hailed as New York's WASP answer to Woody Allen. His movies reflect a conservative New England sensibility, of private schools, good manners, and unfashionable social and political opinions argued eloquently and amusingly.
INDY Week  |  David Fellerath  |  05-02-2012  |  Reviews

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