AltWeeklies Wire

George Clooney Tackles Preglory Gridironnew

For the two hours it takes to watch it, Leatherheads is rarely less than very promising -- and also rarely more.
L.A. Weekly  |  Scott Foundas  |  04-04-2008  |  Reviews

'Stop-Loss': History Imitates History Onscreennew

Stop-Loss may be a necessary link in the bridge from Michael Moore to the eventual Iraq II equivalent of Dr. Strangelove, MASH or Three Kings. And for that, I salute it.
L.A. Weekly  |  Scott Foundas  |  03-28-2008  |  Reviews

Olivier Assayas on Getting Carried Awaynew

For Boarding Gate, Assayas chose Hong Kong as Sandra's final destination, as a way of shooting in -- and paying homage to -- the city that has influenced his own filmmaking.
L.A. Weekly  |  Scott Foundas  |  03-21-2008  |  Profiles & Interviews

Michael Haneke Will Be Your Mirrornew

Don't blame him if you don't like what you see.
L.A. Weekly  |  Scott Foundas  |  03-14-2008  |  Profiles & Interviews

Stefan Ruzowitzky Challenges Holocaust Dogmanew

Rather than the nobly suffering merchants, artists and family men who fill the barracks of many a Holocaust drama, the counterfeiters of The Counterfeiters are a motley crew of scam artists and petty thugs under the supervision of the wily Russian-Jewish forger Salomon "Sally" Sorowitsch.
L.A. Weekly  |  Scott Foundas  |  02-29-2008  |  Profiles & Interviews

Pointlessnew

All-star cast can't save Rashomon wannabe Vantage Point.
L.A. Weekly  |  Scott Foundas  |  02-25-2008  |  Reviews

Sundance: A Midwinter Night's Dreamnew

Finding gems in the snow at 2008's festival.
L.A. Weekly  |  Scott Foundas  |  01-25-2008  |  Movies

Blood, Sweat and Tearsnew

There Will be Blood director Paul Thomas Anderson on making his masterpiece, and how baseball may have saved him.
L.A. Weekly  |  Scott Foundas  |  01-18-2008  |  Profiles & Interviews

'Cloverfield' is a Horrornew

It's taken just over six years for the idea of an escapist disaster movie set on the streets of New York City to go from pop-culture anathema to a hotly anticipated commercial commodity.
L.A. Weekly  |  Scott Foundas  |  01-18-2008  |  Reviews

Adrift in 'Cassandra's Dream'new

Woody Allen's latest casts him in uncertain waters.
L.A. Weekly  |  Scott Foundas  |  01-18-2008  |  Reviews

'There Will Be Blood' is Anderson's 'Citizen Kane'new

With There Will Be Blood, Paul Thomas Anderson has taken a stab at making The Great American Movie -- and I daresay he's made one of them.
L.A. Weekly  |  Scott Foundas  |  12-28-2007  |  Reviews

American Cinema: Our Best Diplomat in 2007?new

Wherever my travels have taken me this year, whether as close as the screening room down the street or as far afield as the Cannes Film Festival in France, the sentiment has been the same: What a banner year it has been for American movies.
L.A. Weekly  |  Scott Foundas  |  12-28-2007  |  Movies

Clint Eastwood: The Set Whisperernew

Shooting quietly on the Changeling set.
L.A. Weekly  |  Scott Foundas  |  12-21-2007  |  Profiles & Interviews

Dispatch from the European Film Awardsnew

A large digital screen featuring a clip of Jean-Paul Belmondo in Breathless, puffing on his Lucky Strike in an endless loop, was the closest the audience at the 20th European Film Awards in Berlin wound up getting to the evening's lifetime achievement honoree, Jean-Luc Godard.
L.A. Weekly  |  Scott Foundas  |  12-14-2007  |  Movies

Will Smith: The Stuff of 'Legend'new

Moment for moment, Smith is simply dazzling, and for all the undeniably impressive work the actor has done on his physique for this role, what's most appealing about Smith is his native intelligence -- the way you see him thinking his way through a role -- and his capacity for human weakness.
L.A. Weekly  |  Scott Foundas  |  12-14-2007  |  Reviews

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