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Couscous de Coeur: 'The Secret of the Grain'new

The French-Tunisian director Abdellatif Kechiche is that rare thing at the movies these days: an intelligent humanist.
L.A. Weekly  |  Scott Foundas  |  01-30-2009  |  Reviews

Sundance's Best So Farnew

Push, Cold Souls, and Paper Heart are reviewed. The color ain't purple.
L.A. Weekly  |  Scott Foundas  |  01-23-2009  |  Movies

Will Smith Encores His 'Pursuit of Happyness'new

Watching Smith and Muccino's latest collaboration, Seven Pounds, I marveled (to paraphrase the great Jermaine Jackson) that something so right could go so wrong.
L.A. Weekly  |  Scott Foundas  |  12-19-2008  |  Reviews

Clint Eastwood, America's Directornew

"You've made the first movie of the Obama generation!" exclaimed an audience member, as he rushed up to Clint Eastwood after a recent screening of Gran Torino. "Well," the 78-year-old actor-director replied, without missing a beat, "I was actually born under Hoover."
L.A. Weekly  |  Scott Foundas  |  12-19-2008  |  Profiles & Interviews

Clint Eastwood Finds Salvation in 'Gran Torino'new

Above all, Gran Torino feels like a summation of everything he represents as a filmmaker and a movie star, and perhaps also a farewell.
L.A. Weekly  |  Scott Foundas  |  12-12-2008  |  Reviews

Catherine Deneuve: Belle De 50 Ansnew

The actress on her new film, A Christmas Tale, and her long, glorious non-career.
L.A. Weekly  |  Scott Foundas  |  11-21-2008  |  Profiles & Interviews

'Slumdog Millionaire': Game Show Masalanew

The potential for a treacly Good Will Hunting of the Mumbai ghetto abounds, but Danny Boyle and screenwriter Simon Beaufoy think more in terms of a minor-scale Dickensian epic.
L.A. Weekly  |  Scott Foundas  |  11-14-2008  |  Reviews

How Lance Hammer Earned His Beautiful New Film 'Ballast'new

It is but one of the many remarkable qualities of Ballast that its characters possess their quiet, unassailable dignity from the start rather than having it revealed (or, worse, bestowed upon them) by the filmmaker.
L.A. Weekly  |  Scott Foundas  |  11-14-2008  |  Profiles & Interviews

The Elusive Van Morrison Sits Down to Talk About the Alchemy in His Pastnew

When it was announced that Van Morrison would close out the Hollywood Bowl's fall season with two nights of concerts at which he would perform his seminal 1968 album Astral Weeks from cover to cover, some longtime Morrison fans might have wondered if the mercurial Irish singer-songwriter was taking the piss out of them.
L.A. Weekly  |  Scott Foundas  |  11-07-2008  |  Profiles & Interviews

Oliver Stone on 'W.' and the President Who Would Be John Waynenew

W. attempts to cut through the familiar agitprop from both sides of the political spectrum in order to take the long view on its subject and his impact on the course of American history.
L.A. Weekly  |  Scott Foundas  |  10-17-2008  |  Profiles & Interviews

'Body of Lies': Terror Porn We Can Believe Innew

British actor Mark Strong steals show in Ridley Scott's latest.
L.A. Weekly  |  Scott Foundas  |  10-10-2008  |  Reviews

Mickey Rourke Returns as 'The Wrestler'new

However you term it, The Wrestler, at least where Rourke is concerned, almost didn't happen at all. Although Aronofsky and screenwriter Robert D. Siegel developed the project with Rourke in mind, they found it impossible to secure even the modest financing required for a sometimes explicitly violent wrestling movie starring an actor who hadn't headlined a major motion picture since the first George Bush was in office.
L.A. Weekly  |  Scott Foundas  |  09-26-2008  |  Profiles & Interviews

'Lakeview Terrace': Samuel L. Jackson Is the Cop Next Doornew

Director Neil LaBute mounts stealth attack on viewer sensibilities.
L.A. Weekly  |  Scott Foundas  |  09-19-2008  |  Reviews

Disappointments and Surprises: Toronto International Film Festivalnew

When good directors go bad. At least, that's what it has felt like around here as one anticipated new film after the next by some of the world's name-brand auteurs — the Coen brothers, Spike Lee, Jonathan Demme — has laid a less-than-golden egg
L.A. Weekly  |  Scott Foundas  |  09-12-2008  |  Movies

Thank God It's the End of Summer!new

These are, literally and figuratively, the annual dog days, when the mercury rises and studios satisfy contractual obligations to their unloved stepchildren--movies they made (or bought), then thought twice about and decided to dispose of as quietly as possible during those two weeks of the year when most of the industry are on vacation.
L.A. Weekly  |  Scott Foundas  |  09-05-2008  |  Movies

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