AltWeeklies Wire

His Finest Hour

The movie means to emphasize the banality of the man's fate, and it does that job a little too well.
Washington City Paper  |  Mark Jenkins  |  06-02-2006  |  Reviews

Blockbuster

This is a relaxed tribute to a famous friend, but there are moments that point in the untaken direction of a more interesting film.
Washington City Paper  |  Mark Jenkins  |  06-02-2006  |  Reviews

Adjust the Facts

Maybe it will inspire a few people to trade in their SUVs, but the inconvenient truth is that this film is likely to do more for Gore's political profile than for the soon-to-be-submerged residents of West Bengal.
Washington City Paper  |  Mark Jenkins  |  06-02-2006  |  Reviews

The Lady Punishes

Is there any difference between justice and revenge?
Washington City Paper  |  Mark Jenkins  |  05-26-2006  |  Reviews

Flense With Benefits

All of this high-concept clutter just emphasizes that Barney has yet to learn how to use cinema to create illusions (or perhaps just doesn't care to).
Washington City Paper  |  Mark Jenkins  |  05-26-2006  |  Reviews

The Buena Vista Socialist Club

Garcia's zeal for the project doesn't translate to passion on the screen.
Washington City Paper  |  Mark Jenkins  |  05-19-2006  |  Reviews

War and Misremembrance

Rambo was wrong.
Washington City Paper  |  Mark Jenkins  |  05-19-2006  |  Reviews

Cracking Up the Code

Howard's film is a soft mush of the book's ideas.
Washington City Paper  |  Mark Jenkins  |  05-19-2006  |  Reviews

Resistance is Futile

This series of anecdotes gradually accumulates a devastating power.
Washington City Paper  |  Mark Jenkins  |  05-15-2006  |  Reviews

Statutory Rope

Valley takes itself altogether too seriously, even when dealing in giggle-eliciting cliches.
Washington City Paper  |  Mark Jenkins  |  05-15-2006  |  Reviews

All the World's a Sage

Whatever the source of Art School Confidential's bile, this portrait of the young man as an artist could use less concept and more craft.
Washington City Paper  |  Mark Jenkins  |  05-15-2006  |  Reviews

Cry the Beloved Country

Gitai presents a cunning mix of documentary-style filmmaking and minimalist theatricality.
Washington City Paper  |  Mark Jenkins  |  05-04-2006  |  Reviews

Women's Rites

Water is too smitten with local color to render its widows' plight as universal.
Washington City Paper  |  Mark Jenkins  |  05-04-2006  |  Reviews

Empty Promise

The Promise leaves us nothing but fancy costumes.
Washington City Paper  |  Mark Jenkins  |  05-04-2006  |  Reviews

Straw Man

Feuerzeig's sober and intelligent documentary doesn't exploit the schizophrenic subject.
Washington City Paper  |  Mark Jenkins  |  04-28-2006  |  Reviews

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