AltWeeklies Wire

The Bukowski Stops Here

Hamer's detachment suits the desultory exploits of Bukowski alter ego Henry Chinaski, who's underplayed with stunning authority by a bearded, lumpy Matt Dillon.
Washington City Paper  |  Mark Jenkins  |  08-25-2006  |  Reviews

Numb and Number

The protagonist, a villain by the standards of most American movies, is treated not as a hero but as something more interesting: a fully drawn individual characterized not only by pivotal mistakes but also by the reasons for making them.
Washington City Paper  |  Mark Jenkins  |  08-25-2006  |  Reviews

Old Romantic

20 years on, Gartside's got a perfect way with love songs.
Washington City Paper  |  Mark Jenkins  |  08-18-2006  |  Reviews

Rolling Back the Years

If this is largely untraveled territory, that doesn't mean the jokes are fresh.
Washington City Paper  |  Mark Jenkins  |  08-18-2006  |  Reviews

Magical Revisionism

In moving from the page to the screen, Burger kept crucial developments but tied them more tightly to a realistic narrative.
Washington City Paper  |  Mark Jenkins  |  08-18-2006  |  Profiles & Interviews

No Pain, No Gain

Time to Leave makes the prelude to doom look remarkably banal and largely painless.
Washington City Paper  |  Mark Jenkins  |  08-18-2006  |  Reviews

Beached Wails

Heading South understands the Third World-tourist dynamic, and neatly delineates the way two different kinds of people can live different kinds of existence in the same place.
Washington City Paper  |  Mark Jenkins  |  08-18-2006  |  Reviews

Auteur Redemption

World Trade Center doesn't stint on devastation, but ultimately it depicts the towers' smoking remains as a place where souls are reclaimed -- and thus, by implication, where a director's shattered career can also be reborn.
Washington City Paper  |  Mark Jenkins  |  08-14-2006  |  Reviews

Hear and There

Stettner decided to "open up" the narrative, thus rendering an intriguingly elusive tale into something that's as predictable as a teen horror flick.
Washington City Paper  |  Mark Jenkins  |  08-04-2006  |  Reviews

Twin Tone

Rather than question glam rock's adolescent self-analysis, the filmmakers simply second it, yielding a film that's less analysis than sham artifact.
Washington City Paper  |  Mark Jenkins  |  08-04-2006  |  Reviews

We Are Not a Muse'd

It no longer matters whether Allen's inspiration is Russian literature or Catskills burlesque; his real subject is the slow death of a wisecracking ladies' man.
Washington City Paper  |  Mark Jenkins  |  07-28-2006  |  Reviews

Menage a Blah

Director Betty Thomas has never learned that even comedy requires a certain measure of logic.
Washington City Paper  |  Mark Jenkins  |  07-28-2006  |  Reviews

Dating Trips

This movie is like a half-dozen episodes of a predictable teen sitcom condensed into a 90-minute movie.
Washington City Paper  |  Mark Jenkins  |  07-28-2006  |  Reviews

A Barrel of Gaffes

Mirren & Co. go off half-cocked.
Washington City Paper  |  Mark Jenkins  |  07-21-2006  |  Reviews

Something Wicket This Way Comes

Oblivion takes a swing at midcentury racism.
Washington City Paper  |  Mark Jenkins  |  07-21-2006  |  Reviews

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