AltWeeklies Wire
Seattle Rapper D. Black Trades Rhymes for Religionnew
Most musicians with a brand new album would probably spend a Friday night at clubs or music venues, either playing a show or promoting their record. But Black isn't interested in any of that. In fact, he's ready to give up rap entirely.
Seattle Weekly |
Jonathan Cunningham |
09-14-2009 |
Profiles & Interviews
The Blue Scholars are Turning the Artist-Label Relationship On its Headnew
Seattle hip-hop group Blue Scholars have brokered a deal in which New York hip-hop label Duck Down Records signed to them. Whether that's the most accurate way to put it is debatable, but the message is clear: things are changing.
Seattle Weekly |
Jonathan Cunningham |
08-10-2009 |
Profiles & Interviews
Ziggy Marley's Family Businessnew
The reggae heir tapped the likes of Willie Nelson and Jack Johnson for a record aimed at toddlers, tykes, and their 'rents.
Seattle Weekly |
Jonathan Cunningham |
06-08-2009 |
Profiles & Interviews
Seattle Hip-Hop Act Merges Old-School Swagger with New-School Appealnew
Dyme Def lives on that thin line between cockiness and confidence. They fully embrace rap's boasting tradition, but they're comical enough with their punch lines and prose that it works.
Seattle Weekly |
Jonathan Cunningham |
04-27-2009 |
Profiles & Interviews
Branford Marsalis: King of Kingsnew
A revered jazz saxophonist's life with Leno, Sting, and a decade-old quartet.
Seattle Weekly |
Jonathan Cunningham |
03-23-2009 |
Profiles & Interviews
K’naan: The 'Dusty Foot' 'Troubadour'new
The 30-year-old artist is one of the most buzzed-about figures in hip-hop, based on the strength of his latest album, Troubadour. K'naan's sound is rooted in East African rhythms with lyrics so vibrant and piercing that it's as if Bob Marley and Che Guevara were ghostwriters on the project.
Seattle Weekly |
Jonathan Cunningham |
03-09-2009 |
Profiles & Interviews
