AltWeeklies Wire

Director Tackles Teen Pregnancy in New Filmnew

Director Todd Solondz looks and acts pretty much like you'd expect the architect of some of the ickiest, misanthropic films on the indie scene to look and act.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  05-05-2005  |  Profiles & Interviews

Scuzzy Execs Run Amok at Enronnew

Alex Gibney's documentary is super scary, infuriating and perversely entertaining. It's the ultimate exhilaratingly feel-bad drama for an America coming to terms with the scuzzy business practices that place shareholder profits above human decency.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-28-2005  |  Reviews

Sparks Fail to Ignite in Filmnew

Dramatic hysteria knows no bounds in dot the i, a film that has the up-and-down rhythm of a roller coaster - with none of the thrills.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-28-2005  |  Reviews

Film Struggles to Show What it's Like to Be Young and Angrynew

How a film so centered on disillusioned youth with a great soundtrack and directed by a genuine Scottish punk turned out so square is one of the film's biggest mysteries.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-21-2005  |  Reviews

Director Attempts to Deify Bike Racingnew

Had director Dana Brown simply focused on the cheap thrills of the racing in his impressive helicopter shots, the film might have shaken some of its self-aggrandizing pretense and been satisfied with just being a sensation-packed thrill ride.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-21-2005  |  Reviews

Film Turns National Tragedy Into Predictable Thrillernew

The way the film uses references to genocide, homicidal dictators and AIDS gives a shallow, disturbing quality to a routine Hollywood thriller. Africa may have limited economic value to the West, but its steady stream of real-life nightmares could be its best export for Hollywood filmmakers willing to craft entertainment out of other nations' misery.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-21-2005  |  Reviews

The Thug Franchise Continuesnew

Hip-hop mogul Damon Dash is already loaded, so it's incomprehensible why he would need to sell this nihilistic, violent cinematic crack to a world that already has plenty of hate to go around.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-14-2005  |  Reviews

Father-Daughter Relationship Suffersnew

Conveying a muddle of vanity, pride, vulnerability and heartsickness, Daniel Day-Lewis breaks your heart with his portrayal of an off-the-grid hippie who is running on the fumes of a failed Utopia.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-07-2005  |  Reviews

Eros' Three-Pronged Poke Leaves a Lot to be Desirednew

Eros feels almost entirely irrelevant, when each of its directors has already crafted memorable films in which desire and longing are the subflooring of daily life.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-07-2005  |  Reviews

Heroic Efforts and Silly Plot Turns Leave Earnest Sahara in the Dustnew

Sahara has a world-is-my-oyster feel rooted less in the magic of moviemaking than it is in a jingoistic belief embraced by some Americans, of their own homegrown superheroic capabilities. An African civil war, deadly plague and a gorgeous lady doctor just don't stand a chance.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  04-07-2005  |  Reviews

Pretty in Pink Answer to Neighborly Brother in Lovenew

Beauty Shop limps feebly along when plot details intrude to gum up the film's frothy, escapist works.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-31-2005  |  Reviews

Director Danny Boyle Gets Lost in the Plot of Millionsnew

Millions starts off with a bushel of important ideas. But by the end, there's just the hero battling a stock baddie as all directorial attention turns to foiling the crook a la Home Alone.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-31-2005  |  Reviews

Harold Lloyd Film Project Recalls the Career of a Film Pioneernew

One of the overlooked stars of film comedy, atypical comic goof ball Harold Lloyd, promised audiences they could eventually triumph over social class and empty pockets by recasting comedy's chump into a triumphant winner.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-24-2005  |  Reviews

Moral Ambiguity and an Abandoned Baby Fuel Up and Downnew

This film from the Czech Republic makes you wonder if the people of this often luckless, tread-upon region will ever be happy.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-24-2005  |  Reviews

Through the Eyes of Haitiansnew

It would have been nice to see director Jonathan Demme rise above a relatively traditional, at times stodgy documentary format reliant on talking head interviews to link the revolutionary practices of Dominique with the revolutionary possibility of film style.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-17-2005  |  Reviews

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