AltWeeklies Wire

Long on Title, Short on Qualitynew

Unfortunately, Miller has blindly stumbled upon a weird, interesting film somewhere in the middle of his storm of wet crud, but he has neither the wit nor the courage to let it out.
Dig Boston  |  Chris Braiotta  |  04-06-2006  |  Reviews

Just a Homoerotic Crime Capernew

Many French caper films are as much essays as they are films -- case studies arguing for the artistic relevance of Hitchcock and film noir -- but this one isn't.
Dig Boston  |  Chris Braiotta  |  03-15-2006  |  Reviews

Monkeyshines for Soul Powernew

This provocateur documentary is a wonderful showcase for Chappelle's ability to be bitingly funny, but still personable, while remaining free of the perfunctory conceits of sketch writers.
Dig Boston  |  Chris Braiotta  |  03-01-2006  |  Movies

Too Dumb to Chargenew

Lionel Baier offers a slightly uncomfortable glimpse into a young gigolo's irredeemably twisted logic.
Dig Boston  |  Chris Braiotta  |  02-22-2006  |  Reviews

Not Really a Sadistic Bastardnew

For someone whose talent is so universally admired, Lars Von Trier seems to generate more bitter contention than anyone else making movies today -- Manderlay is sure to continue this trend.
Dig Boston  |  Chris Braiotta  |  02-08-2006  |  Profiles & Interviews

A Brilliant Film That Sucksnew

There's no getting around the fact that The Intruder is an elliptical, and perhaps an even literally meaningless film.
Dig Boston  |  Chris Braiotta  |  01-25-2006  |  Reviews

More Disturbing than Davey and Goliathnew

Live Freaky! Die Freaky! is set in a post-apocalyptic future, and is a claymation rendering of the Manson Family murders -- no, seriously.
Dig Boston  |  Chris Braiotta  |  01-25-2006  |  Reviews

'Just Plain Dolemite'new

Rudy Ray Moore traces the history of film's most legendary badass.
Dig Boston  |  Chris Braiotta  |  01-13-2006  |  Profiles & Interviews

Holden Caulfield Meets Hogan's Heroesnew

This recent film from Germany throws a fading line back to that country's buried horror, and is on that strength alone a vital bit of cinema.
Dig Boston  |  Chris Braiotta  |  01-06-2006  |  Reviews

Comedy Thriller Is Dead Before the Final Reelnew

The Dying Gaul may have been a great play, but onscreen, it proves to be a dying film.
Dig Boston  |  Chris Braiotta  |  11-17-2005  |  Reviews

Putting the 'F' in Family Dramanew

Forty Shades of Blue is a film that proves honesty isn't everything.
Dig Boston  |  Chris Braiotta  |  11-09-2005  |  Reviews

The Heist Aquatic: Pilfering From a Willing Wes Andersonnew

There’s something sinister in the parallels between Noah Baumbach’s The Squid and the Whale and Wes Anderson’s The Royal Tenenbaums. But no matter how much content Squid shares with its predecessor, it feels completely different.
Dig Boston  |  Chris Braiotta  |  11-03-2005  |  Reviews

A Trio of Excellent Opportunities to Lose Your Lunchnew

Favoring the artsy side, but unafraid of a little muck, is the pan-Asian horror anthology Three ... Extremes, which ties together three short works by Hong Kong-based Fruit Chan, Korea’s Chan-wook Park, and from Japan, the gleefully disturbed Takashi Miike.
Dig Boston  |  Chris Braiotta  |  10-26-2005  |  Reviews

Homicidal Homos Put Hurt on Hollywoodnew

So when's the last time you've seen a candy-colored gay slasher flick, complete with a snappy homo-esque dialogue? HellBent is the very first gay slasher film, and it goes out of its way to let you know.
Dig Boston  |  Chris Braiotta  |  10-12-2005  |  Reviews

Dead Puppets Make Better Loversnew

Tim Burton knows how to tickle eyeballs with rich and playful visuals, but he can't carry an innovative plot to save his life.
Dig Boston  |  Chris Braiotta  |  09-21-2005  |  Reviews

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