AltWeeklies Wire

How the Internet, like George Clinton before it, has reinvigorated samplingnew

"We never mind them sampling or covering a song. You're not supposed to get sued all over the place for doing it. We'd rather be doing it together." —George Clinton
INDY Week  |  Brandon Soderberg  |  09-25-2013  |  Music

Unlikely hitmaker Ke$ha crashes the club-pop party with purposenew

Ke$ha is a big, black fly in the pristine, pre-packaged pop ointment: She dismantles modern pop using the same tools that built it. And she is, at the moment, our strangest pop star.
INDY Week  |  Brandon Soderberg  |  08-08-2013  |  Music

Now that we're all curators, what is Diplo?new

More than a decade after Hollertronix 1, it often seems like Diplo now needs us more than we need him.
INDY Week  |  Brandon Soderberg  |  03-06-2013  |  Music

A hardworking redneck rapper like Yelawolf can't get nowherenew

On his own, Yelawolf crossed into the realms of pop, R&B and party music just fine. But when Eminem unveiled the first single from Yelawolf's debut on Shady Records, the album that followed was a mixed bag of half-baked attempts at branching out.
INDY Week  |  Brandon Soderberg  |  11-14-2012  |  Profiles & Interviews

The Hot at Nights' Nice Talknew

When the group wanders, they're at their best.
INDY Week  |  Brandon Soderberg  |  10-27-2011  |  Reviews

David Banner & 9th Wonder's Death of a Pop Starnew

On Death of a Pop Star, Banner finally forgoes ignorant trunk rattlers to focus solely on poignant, politically loaded raps.
INDY Week  |  Brandon Soderberg  |  01-18-2011  |  Reviews

The Foreign Exchange Continues Its Unmitigated Risks on Authenticitynew

The new album from Phonte Coleman and Nicolay Rook is an often desperate, desolate album, complete with a country-and-western duet.
INDY Week  |  Brandon Soderberg  |  11-18-2010  |  Reviews

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