AltWeeklies Wire

Page One: Inside the New York Timesnew

Andrew Rossi's documentary Page One buffs the Grey Lady's image.
New York Press  |  Armond White  |  06-17-2011  |  Movies

Discourteous Discoursenew

The social networking approach to film criticism is not about democracy.
New York Press  |  Armond White  |  10-01-2010  |  Movies

On the Strange Symbiosis Between Publicists and Film Criticsnew

Greenberg, the big-budget mumblecore movie by Noah Baumbach, should enter the language as Woody Allen’s Zelig did — a title that goes beyond ethnic specificity to stand for a particular social disorder: the tendency toward vanity, suppression and censorship.
New York Press  |  Armond White  |  03-18-2010  |  Movies

Wake Up and Smell the Oscars: They Stink!new

Everyone has their wakeup moment about the Academy Awards: A moment when you put away childish belief and realize it’s not at all about art but about popularity (as Sally Field once indicated and then got lambasted for her clarity).
New York Press  |  Armond White  |  03-04-2010  |  Movies

Homo Panic! at the Cinemanew

Quasi-queer movies such as Bruno and Humpday are late to the game, while Nia Vardalos' rom-com, I Hate Valentine's Day, provides better gay imagery.
New York Press  |  Armond White  |  07-09-2009  |  Movies

Eddie Murphy's Skin Color -- Not His Movies -- Makes the Media Hate Himnew

By beautiful coincidence, the critical drubbing of Murphy's Meet Dave preceded controversy over the New Yorker magazines cover cartoon of Barack Obama as a terrorist-agent.
New York Press  |  Armond White  |  07-24-2008  |  Movies

What We Don't Talk About When We Talk About Moviesnew

Taking aim at the critics who write with their thumbs.
New York Press  |  Armond White  |  04-24-2008  |  Movies

A Year Without Altmannew

The notable abscence of the master director diminished the art of movies in 2007.
New York Press  |  Armond White  |  01-03-2008  |  Movies

The Better Than Listnew

End of the year movie polls used to offer consensus; now they preserve film culture's herd-mentality. But anyone who responds to movies for what they mean -- instead of the way they are sold -- must depart the herd. That's how to find good, unheralded (often derided) films that don't insult the intelligence.
New York Press  |  Armond White  |  01-03-2008  |  Movies

The Official History of Music Videonew

Music videos prove that despite the proliferation of polls and lists and award shows (namely, MTV's laughable VMAs), the official history of any art form must be a private one.
New York Press  |  Armond White  |  07-26-2007  |  Movies

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