The Slits Are Back, Sounding as Uncompromising and Relevant as Ever
Tucson Weekly |
October 29, 2009
Tags: Trapped Animal, The Slits
Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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More by Carl Hanni
Salsa Explosion!new
The reissue gurus at Strut Records are at it again with Salsa Explosion!, a collection of salsa essentials first released in 2004 from the greatest American-based Latin record label of them all, Fania Records.
Tucson Weekly |
Carl Hanni |
10-25-2010 |
Reviews
Tags: Fania Records
Walter Gibbons: Jungle Music: Mixed With Lovenew
Walter Gibbons was there back in the day, at disco's inception, in the legendary dance clubs of New York City.
Tucson Weekly |
Carl Hanni |
08-31-2010 |
Reviews
Tags: Walter Gibbons
Pop Meets Soul in Sharon Jones' New Releasenew
Something a little different is definitely happening on album No. 4 by Daptone Records flagship act Sharon Jones and the Dap-Kings.
Tucson Weekly |
Carl Hanni |
04-15-2010 |
Reviews
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Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
