AltWeeklies Wire

All Yoursnew

After sitting through this witless, irritating remake of a domestic comedy, don't be surprised if you find yourself shouting out for tougher reform schools, lock-down orphanages and mandatory sterilization.
East Bay Express  |  Bill Gallo  |  11-29-2005  |  Reviews

Familiar Ringnew

Pulse rips its ghostly story line from better Japanese horror films.
Dallas Observer  |  Luke Y. Thompson  |  11-28-2005  |  Reviews

Weighting...new

For those who dug Rob McKittrick's recent comedy Waiting..., Just Friends offers up some good news: Ryan Reynolds and Anna Faris are together again as a dysfunctional couple.
Dallas Observer  |  Luke Y. Thompson  |  11-28-2005  |  Reviews

Common Coldnew

Director Harold Ramis says his film is about far more than two men swindling a mobster out of $2 million on Christmas Eve: It's about the fact that no one can be trusted anymore.
Dallas Observer  |  Robert Wilonsky  |  11-28-2005  |  Reviews

Broadway Boundnew

For once, keeping a movie musical tied to the stage serves the audience best.
Seattle Weekly  |  Tim Appelo  |  11-25-2005  |  Reviews

La Boneheaded

Serial adapter Chris Columbus gives Rent-heads exactly what they want, and everyone else the last thing they could possibly want in this out-of-touch, irrelevant relic.
Columbus Alive  |  Melissa Starker  |  11-24-2005  |  Reviews

We Believenew

Reese Witherspoon and Joaquin Phoenix don't act in Walk the Line; they channel.
Tucson Weekly  |  Bob Grimm  |  11-23-2005  |  Reviews

Damn You, Oprah!new

Emmanuel's Gift delves into inspirational, compelling subjects, but the execution is manipulative and dreadful.
Tucson Weekly  |  James DiGiovanna  |  11-23-2005  |  Reviews

Lack of Big Laughs and True Grit Put Film on Thin Icenew

The slick adaptation of Scott Phillips' well-received noir novel feels more like a vehicle for 61-year-old director and his screenwriters to work out their macho midlife crises.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-23-2005  |  Reviews

Jonathan Larson's Legacy Lives Onnew

Rent builds to a touching funeral and a superb reprise of two of the best songs, but rather than go out on a strong note, the film retains the musical's melodramatic final portion, including a ridiculous death scene that, on a movie screen, feels like having a billboard yell at you for five minutes.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-23-2005  |  Reviews

Holiday on Icenew

Instead of an action comedy that’s as slick as ice, Harold Ramis’ sardonic new comedy is more like an uncongealed river of slush.
Austin Chronicle  |  Marjorie Baumgarten  |  11-23-2005  |  Reviews

Rent: We're Gonna Live Forevernew

Despite the grating, workmanlike direction of Chris Columbus, this boisterous film is a vivacious, wiseacre musical and an inarguable morality lesson: Love is all you need.
Austin Chronicle  |  Marc Savlov  |  11-23-2005  |  Reviews

Cheaper by the Grossnew

This supersized family comedy makes The Brady Bunch look like an example of prudent family planning and sophisticated humor.
Austin Chronicle  |  Marjorie Baumgarten  |  11-23-2005  |  Reviews

So Long, It's Been Good to Know Younew

A tepid romantic comedy with a side order of vitriol.
Austin Chronicle  |  Marc Savlov  |  11-23-2005  |  Reviews

The Secret Lives of Screenwritersnew

Playwright and screenwriter Craig Lucas debuts as a director of his own material with this nasty little story about interpersonal deceptions and Hollywood ethics.
Austin Chronicle  |  Marjorie Baumgarten  |  11-23-2005  |  Reviews

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