AltWeeklies Wire

Struck by Lightningnew

Francis Ford Coppola is back with an interesting, personal film that's not for everyone.
Tucson Weekly  |  James DiGiovanna  |  02-21-2008  |  Reviews

Country for Gold Mennew

In short, this is the year that death and evil will stalk the Oscars. Predictions for this year's winners.
Boston Phoenix  |  Peter Keough  |  02-21-2008  |  Movies

The Winners Are(n't) ...new

What should (and therefore won't) win at the Oscars.
Santa Fe Reporter  |  Emiliano Garcia-Sarnoff  |  02-21-2008  |  Movies

'Be Kind Rewind' Has a Dreamy Nostalgianew

Gondry's latest is about half as charming as it hopes to be.
Las Vegas Weekly  |  Mike D'Angelo  |  02-21-2008  |  Reviews

'Jumper' Looks Cool, but Falls Flatnew

Part Bourne Identity and part Matrix, Jumper should have been a sleek and sexy new take on the genre. Instead, it comes off hollow and soulless, more about special effects than characters.
Arkansas Times  |  David Koon  |  02-21-2008  |  Reviews

Can't Fake Itnew

Based on Holocaust survivor Adolf Burger's memoir The Devil's Workshop, The Counterfeiters explores a side of the Holocaust we haven't seen before: a concentration camp where prisoners are not subject to ritual violence but psychologically manipulated and forced to compromise their own morals.
New York Press  |  Raphaela Weissman  |  02-21-2008  |  Reviews

Global Village Slaughterhousenew

In structure and content, The Signal plays out like a cautionary quasi-zombie comedy for screen addicts. The threat lurks on mangled television and radio signals, hence the inescapable doom.
New York Press  |  Eric Kohn  |  02-21-2008  |  Reviews

Insider Artnew

Michael Gondry's cute humor transforms Jack Black and Mos Def into primitive artists.
New York Press  |  Armond White  |  02-21-2008  |  Reviews

'The Signal' Sends a Bloody, Dystopian Messagenew

Among many ridiculous scenes, the one in which someone literally jump-starts and interrogates a decapitated head summarily erases any chance you'll take the script's weak stab at social commentary -- i.e., technology is destroying our minds -- seriously.
Washington City Paper  |  Tricia Olszewski  |  02-21-2008  |  Reviews

'Charlie Bartlett' & 'Honeydripper': Cure of Dutynew

The heroes of two new films go hunting for quick fixes.
Washington City Paper  |  Tricia Olszewski  |  02-21-2008  |  Reviews

Pete and Re-Petenew

The intimate documentary Pete Seeger: The Power of Song re-introduces the pioneering musical radical just when we might need him the most.
IND Media  |  Michael Tisserand  |  02-21-2008  |  Profiles & Interviews

In the Age of YouTube, Why Do We Care About Oscars?new

Once again, it's time to pass out 50 gold-plated bookends to people who don't read, and once again, a billion hungry souls will be devouring every minute of it with a mix of envy, contempt and, because above all else, the Oscars has no place for us, profound exclusion.
Las Vegas Weekly  |  Greg Beato  |  02-21-2008  |  Movies

Perv is as Perv Doesnew

Silver Scream Spook Show finds its heart.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  02-20-2008  |  Reviews

Late Termnew

Marking time during Romania's oppressive regime.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  02-20-2008  |  Reviews

Scary Movies: Things to Comenew

Indie horror films like Diary of the Dead, The Signal, and The Last Winter send mixed signals about genre's future.
Creative Loafing (Atlanta)  |  Curt Holman  |  02-20-2008  |  Reviews

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