AltWeeklies Wire

Mumblecore: A New New-Wave Showcasenew

Two of the genre's more prominent works -- Joe Swanberg's Hannah Takes the Stairs and Aaron Katz' Quiet City -- screen this weekend at the Memphis Brooks Museum of Art.
The Memphis Flyer  |  Chris Herrington  |  03-07-2008  |  Movies

Gus Van Sant on 'Paranoid Park'new

"When you're 16, that's the most important time in your life," he says. "It might not be a time when you get much done, but you're influenced by everything that's come your way. By 25, you're going to be much more frozen in your ways."
Montreal Mirror  |  Matthew Hays  |  03-07-2008  |  Profiles & Interviews

Tax Credits Battle Over Bill C-10 Continuesnew

Bill C-10 would grant Heritage Canada officials authority to deny tax credits to filmmakers on the basis of gratuitous violence and sexually explicit content.
The Georgia Straight  |  Charlie Smith  |  03-07-2008  |  Movies

'Miss Pettigrew' is Charming but Not Funnynew

For its admirable attempt to recreate the rhythm and madcap antics of a period screwball comedy, the film is missing something. It's missing the comedy.
Montreal Mirror  |  Mark Slutsky  |  03-07-2008  |  Reviews

Quebec Filmmakers Recoil at Funding Threatsnew

The legislation would allow the federal Heritage ministry to yank funding for movies or TV shows that contain "excessive" portrayals of violence and sex.
Montreal Mirror  |  Matthew Hays  |  03-07-2008  |  Movies

Double-crossed in Londonnew

The Bank Job delivers all the pleasures expected from a crime-heist picture.
Shepherd Express  |  David Luhrssen  |  03-07-2008  |  Reviews

Heists and Homelifenew

The Bank Job is solid entertainment, while Married Life and CJ7 run out of laughs.
Los Angeles CityBeat  |  Andy Klein  |  03-07-2008  |  Reviews

The Man Behind the Moviesnew

Getting all your DVDs from Netflix? A video store buyer explains how his store cultivates a connection with customers.
Seven Days  |  Margot Harrison  |  03-07-2008  |  Movies

Strange Transmissionsnew

Bleak and brutal sci-fi horror flick falls flat.
Eugene Weekly  |  Molly Templeton  |  03-06-2008  |  Reviews

Sorry, Charlienew

Combining elements of Rushmore and Ferris Bueller's Day Off as well as the illicit-entrepreneur plot of Risky Business, Charlie Bartlett suffers greatly by comparison to these films.
Eugene Weekly  |  Jason Blair  |  03-06-2008  |  Reviews

Lying Lownew

A joke-laden, quirky shoot-out, In Bruges is not.
Eugene Weekly  |  Molly Templeton  |  03-06-2008  |  Reviews

Eraserheadnew

Like a runaway satellite or a shaggy transvestite, Be Kind Rewind is a confusion of messages and signals, few of which hit their mark.
Eugene Weekly  |  Jason Blair  |  03-06-2008  |  Reviews

Fun With Ferrellnew

Semi-Pro is better than most comedies, but that's not saying much.
Tucson Weekly  |  Bob Grimm  |  03-06-2008  |  Reviews

Expect the Expectednew

City of Men is almost tolerable, if you go in with really, really low expectations.
Tucson Weekly  |  James DiGiovanna  |  03-06-2008  |  Reviews

Nobody Loves a Nobodynew

If David Lynch remade Taxi Driver with equal doses of Eraserhead and The Elephant Man, the result might look something like the drab existential loneliness of Ronald Bronstein's Frownland.
New York Press  |  Eric Kohn  |  03-06-2008  |  Reviews

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