AltWeeklies Wire

Aaron Tippin keeps on pushingnew

The 50-year-old Tppin seems like a Cracker Barrel kind of guy: warm, respectful, "down-home."
Colorado Springs Independent  |  Kirsten Akens  |  08-01-2008  |  Profiles & Interviews

Orchestra Baobab Shows the World Its Comeback was No Flukenew

While it's not as gravely beautiful or immediately bracing as Specialist in All Styles, Made in Dakar is as lovely and deep a collection of new music as anyone's likely to release this year.
The Memphis Flyer  |  Chris Herrington  |  08-01-2008  |  Reviews

Billy Bob Thornton Finds His Musical Voicenew

Thornton teams up with J.D. Andrew and Michael Butler (and a lot of others on record and in the live show) for music that's a mixture of straight-ahead rock and country touchstones such as Johnny Cash and Buck Owens.
The Memphis Flyer  |  Werner Trieschmann  |  08-01-2008  |  Profiles & Interviews

Film School's New Disc Gets Its Beats From My Bloody Valentine Drummernew

It's hard to remain casual when one of your idols is in the room. Now imagine said idol happens to be a member of one of your all-time favourite musical acts, and that he's recording tracks for your album.
The Georgia Straight  |  John Lucas  |  08-01-2008  |  Profiles & Interviews

Apple Miner Colony Induces Mellow Mayhemnew

The group is a fresco, a mixed and matched selection of strings, brass, electric and acoustic instruments sweeping with ruddy choruses, that hold the audience's collective attention above the spectacle of witnessing such a large band at play. The live show and the band's recently released album confirms that relevant and soulful music is alive and well in Santa Fe.
Santa Fe Reporter  |  Gabe Gomez  |  08-01-2008  |  Profiles & Interviews

The Faint Take Their Time in Search of Perfectionnew

The quintet's fifth disc, Fasciinatiion, is so perfectly danceable that it would hardly be surprising if the Faint had carefully charted each track out on a graph ahead of time.
The Georgia Straight  |  Gregory Adams  |  08-01-2008  |  Profiles & Interviews

Mezzo-Soprano Denyce Graves Holds on to Her Rootsnew

Graves lives in Paris and has sung on stages from Italy's La Scala to Opera Hong Kong, but her heart remains in Washington, D.C.
The Georgia Straight  |  Janet Smith  |  08-01-2008  |  Profiles & Interviews

Bright I's: Did Conor Oberst Really Need to Make a Solo Record?new

Bright Eyes' Conor Oberst's eponymous new disc shows exactly how boring a fabulous Mexican vacation can be.
North Bay Bohemian  |  Gabe Meline  |  07-31-2008  |  Reviews

Legacy Cementednew

Forget that little crisis in the Middle East; the real war is the one metal legend Max Cavalera and his bandmates have declared on the music industry.
Tucson Weekly  |  Jon Hobson  |  07-31-2008  |  Reviews

Motley Crue Stages a Motley Crue Broadway Musicalnew

The band's new album, Saints of Los Angeles, is a song-by-song chronicling of the members' days of debauchery, from coming up on the Sunset Strip to their various failed centerfold romances.
SF Weekly  |  Ben Westhoff  |  07-31-2008  |  Concerts

Arty Jokers Aren't Above Making Good Songsnew

Created mostly by member Mark Hosler, the latest album by longtime culture-jamming art pranksters Negativland is more outlandish than mischievous.
Orlando Weekly  |  Bao Le-Huu  |  07-31-2008  |  Reviews

Boston's Other Great Punk Band Comes Into Its Ownnew

Unless they suddenly turn rap or something jarringly divergent like that, Street Dogs will always be compared to fellow Boston boys Dropkick Murphys. Both bands epitomize the same Southie tough-guy aesthetic, both proudly espouse the proletariat ethos and both express it through chanting anthems cut from the same fists-and-pints street punk cloth.
Orlando Weekly  |  Bao Le-Huu  |  07-31-2008  |  Reviews

The Prids Crash. The Prids Survive.new

"We were driving and a tire blew. I struggled to correct it and the van started fishtailing. I just couldn't get it."
The Portland Mercury  |  Ezra Ace Caraeff  |  07-31-2008  |  Profiles & Interviews

Extreme Animals Recreates Itself with Old Soundsnew

Extreme Animals acts like the kids we were warned we might become from playing too much Galaga, but that's not entirely why it's embraced making new music with old MIDI technology.
INDY Week  |  Chris Toenes  |  07-31-2008  |  Profiles & Interviews

The Whistlestop Celebrates Faithnew

Several songs--most notably "The Money's Tight," which could have been written in the Great Depression's shadow--are the aural equivalents of the sepia-toned packaging and the vintage postcard included with the record.
INDY Week  |  Rick Cornell  |  07-31-2008  |  Reviews

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