AltWeeklies Wire

George Jones and Merle Haggard Box Sets Help Us Through Decembernew

Haggard's The Studio Recordings and Jones' She Thinks I Still Care duly honor the country greats.
Los Angeles CityBeat  |  Chris Morris  |  12-14-2007  |  Reviews

Son of a Preacher Mannew

Thorn's albums are grounded by gravelly blues vocals, experimenting with country, rock 'n' roll, blues and gospel.
Jackson Free Press  |  Lindsey Maddox  |  12-13-2007  |  Profiles & Interviews

Boxbomb Genre Jumps on Followupnew

The band's first full-length, My Obsession, finds Boxbomb looking to expand on and improve on the sounds from Golden, building from their grunge base with an ambitious span of assorted genres including country and blues.
INDY Week  |  Dan Strobel  |  12-13-2007  |  Reviews

Yup, It's a Yep Roc Christmasnew

The debut Christmas compilation from Yep Roc Records successfully captures the range and fiery spirit of its label: Collecting new Christmas cuts from a dozen Yep Roc bands, Oh Santa! is alternately cranky or sentimental, thoughtful or whimsical and reverent or mischievous.
INDY Week  |  Grayson Currin  |  12-13-2007  |  Reviews

On the Avant-Garde Fringenew

The ever-challenging Robert Wyatt uses his voice in myriad ways on Comicopera.
Tucson Weekly  |  Gene Armstrong  |  12-13-2007  |  Reviews

Lovely Gardennew

The drummer for The Band's latest will leave folk-music fans enthused.
Tucson Weekly  |  Jarret Keene  |  12-13-2007  |  Reviews

Blake's Blundernew

Blake Lewis is a talented beatboxer with a thin voice. So, why is he being presented as a musical jack of all trades on his debut album?
Tucson Weekly  |  Kristine Peashock  |  12-13-2007  |  Reviews

Elegant Minimalismnew

Music-nerd trio Antelope offer stripped-down "meditative punk."
Tucson Weekly  |  Gene Armstrong  |  12-13-2007  |  Profiles & Interviews

A Moment with This Moment in Black Historynew

It's easy to assume that a band name like This Moment in Black History is the work of a few trust-funded white hipster kids, tongues firmly planted in their cheeks, fishing for some desperately craved attention. They aren't.
The Portland Mercury  |  Ezra Ace Caraeff  |  12-13-2007  |  Profiles & Interviews

The Soda Pop Kids' Perfect Popnew

The Kids aren't a party band; the Kids are a party.
The Portland Mercury  |  Viva Las Vegas  |  12-13-2007  |  Profiles & Interviews

Skeleton Key is Machine-Madenew

Erik Sanko explains the way he (literally) sees the band's sound.
New York Press  |  Saby Reyes-Kulkarni  |  12-13-2007  |  Profiles & Interviews

Yeasayer Blends Influencesnew

All Hour Cymbals is a direct descendant of Brian Eno and David Byrne's collaborations and stands alongside Animal Collective and Gang Gang Dance's experimental work. Written in the wake of the second Bush election, it features Middle Eastern strings, African drums, complex harmonies and some very bleak lyrics.
New York Press  |  Elizabeth Rhodes  |  12-13-2007  |  Profiles & Interviews

A Rare Treat Indeednew

The Wilsons revisit their debut, performing Dreamboat Annie live for the first time in the sequence of the original record.
Creative Loafing (Atlanta)  |  Lee Valentine Smith  |  12-13-2007  |  Reviews

Three-Night Standnew

Film documents the group at Madison Square Garden on the Houses of the Holy tour.
Creative Loafing (Atlanta)  |  Hal Horowitz  |  12-13-2007  |  Reviews

Cult Cross-Sectionnew

Final Chapter presents the complete original record, with some grand and gritty bonus tracks.
Creative Loafing (Atlanta)  |  Lee Valentine Smith  |  12-13-2007  |  Reviews

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