AltWeeklies Wire

Comedy Thriller Is Dead Before the Final Reelnew

The Dying Gaul may have been a great play, but onscreen, it proves to be a dying film.
Dig Boston  |  Chris Braiotta  |  11-17-2005  |  Reviews

Johnny Cash Gets What He Deservesnew

Joaquin Phoenix portrays the infamous Man in Black in Walk The Line.
Dig Boston  |  David Wildman  |  11-17-2005  |  Reviews

Honky-Tonk Love Storynew

Joaquin Phoenix is terrific as the musician Johnny Cash, whose rise, fall, and resurrection we watch as he does the Benzedrine 12-step in order to earn the love of country-and-gospel sasspot June Carter.
Austin Chronicle  |  Marc Savlov  |  11-17-2005  |  Reviews

Bombs Awaynew

Inside the mind of a Palestinian suicide bomber: That's the guarded territory broached in Paradise Now, a film fashioned as a thriller rather than a psychological study.
Austin Chronicle  |  Marjorie Baumgarten  |  11-17-2005  |  Reviews

Potter Tots Grow Up Lotsnew

This fourth Potter film is qualitatively different from the first three: It doesn't linger on gothic curlicues, and it emphasizes the emotional development of its characters with dramatic interplay rather than expressionistic, atmospheric gloom.
Austin Chronicle  |  Marrit Ingman  |  11-17-2005  |  Reviews

Portrait of the Artist as a Gay Ladnew

Dorian Blues has wit, humor, good performances, and clever technique, which catapult the film into the front ranks of coming-out movies.
Austin Chronicle  |  Marjorie Baumgarten  |  11-17-2005  |  Reviews

Off the Tracksnew

The first release from the new Weinstein Co. is a thriller starring Jennifer Aniston and Clive Owen that never fully engages the viewer's sympathies.
Austin Chronicle  |  Marc Savlov  |  11-17-2005  |  Reviews

All Spelled Outnew

Myla Goldberg's novel about spelling-bee fever, a family in chaos and religious/mystic exploration arrives on the screen with all its faults intact but few of its charms.
Austin Chronicle  |  Kimberley Jones  |  11-17-2005  |  Reviews

Genre-Bending Film Surprises at Every Turnnew

Nifty, surprising and outrageously overplotted, The Dying Gaul changes its genre stripes so frequently, viewers may feel they've left a film fundamentally different than the one they entered.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  11-17-2005  |  Reviews

The Old Blacknew

Years from now, cinema-studies teachers will refer to Walk the Line as a textbook example of what a biopic looks like when it gets everything right.
Orlando Weekly  |  Steve Schneider  |  11-17-2005  |  Reviews

Harry Potter Turns the Corner With Thrilling Filmnew

As a turning point in the series, the Goblet of Fire film needs to -- and does -- feel "bigger" than the previous installments. Author J.K. Rowling gives her now-14-year-old protagonists more grown-up concerns.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-17-2005  |  Reviews

Film Offers Little Insight Into Johnny Cashnew

As much as the film traces Johnny Cash's personal decline, the script uncovers few complexities in his character and loses sight of him as a potent artist.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-17-2005  |  Reviews

Dial M for Menswearnew

Mere minutes into its opening credits, the heated black comedy El Crimen Perfecto has its title reshuffled into El Crimen Ferpecto. And that Spanish spoonerism says everything about the film.
Orlando Weekly  |  Steve Schneider  |  11-17-2005  |  Reviews

Gleeful Weaponnew

At a stage when most successful screenwriters have settled into a grateful pursuit of the lowest common denominator, it's a kick to see a scribe like Shane Black.
Orlando Weekly  |  Steve Schneider  |  11-17-2005  |  Reviews

Fizzling Wizardrynew

The Harry Potter series takes a step backwards with Goblet of Fire.
Tucson Weekly  |  Bob Grimm  |  11-17-2005  |  Reviews

Narrow Search

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range
  • From:

    To: