AltWeeklies Wire

Valuable Cultural Reference is Revealednew

The group's growth from a primitive band of proletariat hooligans into a biting and mechanical art monster is encapsulated in this collection.
Creative Loafing (Atlanta)  |  Chad Radford  |  09-08-2005  |  Reviews

Singer Sounds Like She's From Southnew

Shannon McNally’s literate, evocative lyrics and black-coffee voice examine matters of the heart from a fresh, intelligent perspective that renders all geographical references insignificant.
Creative Loafing (Atlanta)  |  Hal Horowitz  |  09-08-2005  |  Reviews

Album Boasts Unadorned, Early Hip-Hop Spiritnew

The Find feels like a trip back to a time before crack and guns got out of control in urban America, when rappers were still wearing smiles.
Creative Loafing (Atlanta)  |  Tamara Palmer  |  09-08-2005  |  Reviews

Every Track a Money Shotnew

It’s impossible to imagine a band more devoted to excitement, more single-minded in its pursuit of satisfaction, more successful in replicating the arousal/gratification cycle without becoming monotonous.
Illinois Times  |  Rene Spencer Saller  |  09-02-2005  |  Reviews

Your Favorite Is On This CDnew

Let's not beat around the bush: All-Time Top 100 TV Themes is a great fucking CD.
Creative Loafing (Atlanta)  |  Carlton Hargro  |  09-01-2005  |  Reviews

Second Release Features Rich Harmoniesnew

It's a bluegrass/old-timey album every bit as deserving of the cross-generational adulation received by O Brother's soundtrack.
Creative Loafing (Atlanta)  |  Michael Andrews  |  09-01-2005  |  Reviews

Two-Disc Epitomizes Strengths, Weaknessesnew

Neither the tunes nor the lyrics can quite sustain the quieter presentation, however. It's intriguing, and Dave Grohl sings surprisingly well, but it's hardly memorable.
Creative Loafing (Atlanta)  |  Chris Parker  |  09-01-2005  |  Reviews

Album Works Nicely Within Pop Conventionsnew

Blitzkrieg Pop, T. Raumschmiere's second album, is much more listenable and varied than the 2003 debut Radio Blackout, a clanging beacon for the German techno capital that rarely sleeps in the pursuit of the groove.
Creative Loafing (Atlanta)  |  Tamara Palmer  |  09-01-2005  |  Reviews

Music's Inner-Workings Heard Well in Recordingnew

It's a spontaneous-sounding rendition, with a good stereo separation that happily allows the music's inner workings to be well heard.
Creative Loafing (Atlanta)  |  Mark Gresham  |  09-01-2005  |  Reviews

Album is Old-School Kewlnew

Every MC Chris song is an anthem for a person you never wanted to be but always were. It's for the person you always have been, but now don't mind being thanks to [adult swim] shows including "Aqua Teen Hunger Force."
Creative Loafing (Atlanta)  |  Tony Ware  |  09-01-2005  |  Reviews

Learning Vervenew

West isn't just the most peculiar hip-hopper rocking the radio dial right now, he’s cutting his own idiosyncratically rudderless path to pop.
Baltimore City Paper  |  Bret McCabe  |  08-31-2005  |  Reviews

Slick Countrynew

Young Jeezy's major-label solo debut is a chrome-shiny opus -- but he sounds more real on countrified bounce than on citified crunk.
Baltimore City Paper  |  Makkada B. Selah  |  08-29-2005  |  Reviews

Rescued from Obscuritynew

Instead of fighting hippie excess with speed, volume, and a few choice barre chords, the Groovies embraced melody, economy, and reverb-kissed riffs. Also reviewed is Puerto Muerto's Songs of Muerto County.
Illinois Times  |  Rene Spencer Saller  |  08-26-2005  |  Reviews

Gospel Doesn't Have to be Watered-Downnew

Marty Stuart and his three-piece band the Fabulous Superlatives cook up a spicy Southern brew, and the album shows that the genre-defying Stuart can do much more than is allowed within country's narrow confines.
Creative Loafing (Atlanta)  |  Michael Andrews  |  08-25-2005  |  Reviews

Debut Album is Instrumental Blissnew

Thunderous washes of melancholy elevate the music from pop to an operatic soundtrack guided by churning and chugging guitars that swell with desolation.
Creative Loafing (Atlanta)  |  Chad Radford  |  08-25-2005  |  Reviews

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