AltWeeklies Wire

This Kinda Sucksnew

This Underworld is not as good as it should have been.
Tucson Weekly  |  Bob Grimm  |  01-26-2006  |  Reviews

The Camera Starsnew

Steven Soderbergh's latest captivating achievement breaks ground in several ways.
Tucson Weekly  |  James DiGiovanna  |  01-26-2006  |  Reviews

Films Are a Force of Naturenew

Our loving critics ponder the tender cinema of 2005, and while they don't agree on much, they're unanimous on the year's worst movie.
Tucson Weekly  |  James DiGiovanna and Bob Grimm  |  01-26-2006  |  Reviews

Head of the Classnew

Loggerheads is an exquisite ensemble drama set in three North Carolina communities.
Orlando Weekly  |  Steve Schneider  |  01-26-2006  |  Reviews

Return of the Mavericknew

Steven Soderbergh challenges Hollywood with stark realism and groundbreaking distribution.
San Diego CityBeat  |  Angela Carone  |  01-25-2006  |  Reviews

The Human Landscapenew

The writer-director of Days of Heaven and Thin Red Line trains his gaze on the settlers of The New World.
Nashville Scene  |  Donna Bowman  |  01-25-2006  |  Reviews

Welcome to the Doll Factorynew

Soderbergh doesn't condescend to middle America, but he doesn't do much of anything else either.
The Village Voice  |  Michael Atkinson  |  01-25-2006  |  Reviews

Plantation Nationnew

Von Trier's redundant Dogville sequel dilutes the vitriol for a didactic tale of democracy gone awry.
The Village Voice  |  J. Hoberman  |  01-25-2006  |  Reviews

A Brilliant Film That Sucksnew

There's no getting around the fact that The Intruder is an elliptical, and perhaps an even literally meaningless film.
Dig Boston  |  Chris Braiotta  |  01-25-2006  |  Reviews

The First Realistic Reality Filmnew

A truly amazing reality film (in every sense of the word), Bubble has produced a new approach: method acting taken to a different extreme -- call it "reality acting."
Dig Boston  |  David Wildman  |  01-25-2006  |  Reviews

More Disturbing than Davey and Goliathnew

Live Freaky! Die Freaky! is set in a post-apocalyptic future, and is a claymation rendering of the Manson Family murders -- no, seriously.
Dig Boston  |  Chris Braiotta  |  01-25-2006  |  Reviews

Shanghai Crimesnew

Ralph Fiennes doesn’t even phone in his role in this stilted 1930s period drama.
Baltimore City Paper  |  Geoffrey Himes  |  01-25-2006  |  Reviews

Too Real to Feel Goodnew

Soderbergh's HD experiment is magic-free.
San Antonio Current  |  Cole Haddon  |  01-25-2006  |  Reviews

Tarnished Ivorynew

White Countess writes an inglorious final chapter for a dynamic filmmaking duo.
Dallas Observer  |  Bill Gallo  |  01-23-2006  |  Reviews

Suspended Sentencenew

After Innocence probes life after a wrongful conviction.
East Bay Express  |  Melissa Levine  |  01-23-2006  |  Reviews

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