AltWeeklies Wire

Chronicles of the Vindicatednew

The men in After Innocence are released from prison, often without even an apology and are expected to get on with their lives and forget the decades stolen from them.
Creative Loafing (Atlanta)  |  Felecia Feaster  |  03-16-2006  |  Reviews

Old-World Debaucherynew

Contributing to the drama's disingenuous tone, love finally proves a greater force in The Libertine than the orgies, giant dildos, sexual abduction and whoring that initially give the film its naughty, funky edge.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-16-2006  |  Reviews

Valuing Vague Virtuesnew

In a post-9/11 world, could any film be as politically provocative as one that makes a hero out of a bomb-throwing terrorist?
Creative Loafing (Atlanta)  |  Curt Holman  |  03-16-2006  |  Reviews

V for Vexingnew

This revolution is better suited for the funny pages.
New York Press  |  Matt Zoller Seitz  |  03-16-2006  |  Reviews

Arms and the Mannew

Despite their differences of style, Eugene Jarecki and Michael Moore are two of a kind: debaters, not journalists.
Sacramento News & Review  |  Jonathan Kiefer  |  03-16-2006  |  Reviews

Knock Outnew

Wenders and Sam Shepard color-coat the American landscape, creating a film where the real world and art are experienced simultaneously.
New York Press  |  Armond White  |  03-16-2006  |  Reviews

Terrorism (The Good Kind)new

The new film version of a futuristic graphic novel overcomes obstacles.
San Diego CityBeat  |  Anders Wright  |  03-15-2006  |  Reviews

Jackbooted Into the Futurenew

This is a futuristic slice of pop-culture agitprop, replete with a costumed antihero, lovingly choreographed action sequences, cunningly ornate dialogue and a rousing score.
Austin Chronicle  |  Marc Savlov  |  03-15-2006  |  Reviews

Demme and Young: In Concertnew

Jonathan Demme dreams us back to the golden age of performance films, in which Neil Young unfolds his latest album Prairie Wind in concert at Nashville's Ryman Auditorium.
Austin Chronicle  |  Raoul Hernandez  |  03-15-2006  |  Reviews

Louder Than Bombsnew

Ideas fuel this sci-fi thriller for the terrorism age.
Baltimore City Paper  |  Cole Haddon  |  03-15-2006  |  Reviews

Guilty as Chargednew

You're guilty of helping screw up Sidney Lumet's latest movie.
Baltimore City Paper  |  Lee Gardner  |  03-15-2006  |  Reviews

Just a Homoerotic Crime Capernew

Many French caper films are as much essays as they are films -- case studies arguing for the artistic relevance of Hitchcock and film noir -- but this one isn't.
Dig Boston  |  Chris Braiotta  |  03-15-2006  |  Reviews

Revolution for Fun and Profitnew

V for Vendetta is set in a bleak near-future dystopia, where everything is very familiar -- people even drive the same cars we do now -- but it soon becomes clear that the world has been rocked by catastrophe.
Dig Boston  |  David Wildman  |  03-15-2006  |  Reviews

Barroom Sprawlnew

Wenders longs to make narrative choices the way a jazz guitarist chooses licks, capriciously, hunting for grooviness -- but the attempt imbues his movies with the personality of a hungover Beat poet playing dress-up.
The Village Voice  |  Michael Atkinson  |  03-15-2006  |  Reviews

Anarchy in the U.K.

Comic-book cinema gets subversively political in V for Vendetta.
Salt Lake City Weekly  |  Scott Renshaw  |  03-14-2006  |  Reviews

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