AltWeeklies Wire

Humaning Iwo Jimanew

Flags of Our Fathers is a character-rich dissection of propaganda, loyalty and the visceral brutality of war.
Orlando Weekly  |  Jason Ferguson  |  10-23-2006  |  Reviews

Connecting Apartheid to Today

Noyce applies his authentic sense of cinematic storytelling to the real-life story of Patrick Chamusso, an apolitical South African oil refinery engineer who joins a revolution against the violent apartheid regime.
Maui Time  |  Cole Smithey  |  10-22-2006  |  Reviews

Unscary Movie

You may as well play the trailer over and over again for about 95 minutes and save your bucks.
Washington City Paper  |  Tricia Olszewski  |  10-20-2006  |  Reviews

Tin Soldiers and Bush Coming

Crisp, lively, but unsurprising.
Washington City Paper  |  Mark Jenkins  |  10-20-2006  |  Reviews

Vanishing Act

Unlike writer-director Nolan's debut, The Prestige doesn't offer a conclusion that's thought-provoking so much as dismissible.
Washington City Paper  |  Tricia Olszewski  |  10-20-2006  |  Reviews

But What About the Children?

Intentionally very literary, but feelings that might persuade on the page don't work when all the characters are embodied by movie stars.
Washington City Paper  |  Mark Jenkins  |  10-20-2006  |  Reviews

'Core Values

Perhaps what's most amusing about Rachman's doc is the kids-these-days! attitude of now-adult, former rebels, ranting against unnamed artists implied to be, say, Good Charlotte or blink-182.
Washington City Paper  |  Tricia Olszewski  |  10-20-2006  |  Reviews

Royal Pains

It all should add up to a tone that’s energetic and fun, yet the two-plus-hours Marie Antoinette is as empty as the calories the character consumes.
Washington City Paper  |  Tricia Olszewski  |  10-20-2006  |  Reviews

Lost in Forestation

A fill-in-the-blanks experience that defines itself more by what it isn’t than what it is.
Washington City Paper  |  Mark Jenkins  |  10-20-2006  |  Reviews

Songs of the Road

On one level, Riding Alone is Zhang’s most sentimental film, with lots of tear-jerking and even some outright blubbering. It’s also a remarkably sanguine portrait of the Chinese penal system, which proves unconvincingly receptive to the fixation of one bull-headed Japanese tourist.
Washington City Paper  |  Mark Jenkins  |  10-20-2006  |  Reviews

The Heroic Underbellynew

The first half of the film continues Clint Eastwood's ongoing deconstruction of America's hero myths, but then detours into some uncharacteristically sentimental mulch.
Austin Chronicle  |  Marjorie Baumgarten  |  10-20-2006  |  Reviews

Wigging Outnew

Don't fear the film's early reviews from Cannes, which too often slighted it for being fluffy (it isn't, though its heroine is) or ahistorical (it isn't, though it is contemporary).
Austin Chronicle  |  Marrit Ingman  |  10-20-2006  |  Reviews

Grudge Matchnew

Japanese director Shimizu may be the only director in history to have helmed a pair of Hollywood remakes of his two biggest hit films and managed to screw up both of them.
Austin Chronicle  |  Marc Savlov  |  10-20-2006  |  Reviews

The War at Homenew

WWE wrestling champion John Cena makes his film debut in this action film.
Austin Chronicle  |  Josh Rosenblatt  |  10-20-2006  |  Reviews

Purim Pageantrynew

Despite a title that makes it sound like a tell-all about a one-night-stand with Elvis Presley, this movie is actually about the Jewish heroine, Queen Esther.
Austin Chronicle  |  Marjorie Baumgarten  |  10-20-2006  |  Reviews

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