AltWeeklies Wire

Forming an Inseparable Epic

Letters responds to Flags and creates pure cinematic poetry.
Maui Time  |  Cole Smithey  |  12-18-2006  |  Reviews

The Deity and Daniel Smithnew

Since there can be no Behind the Music–style backstage debauchery here ("Hey, quit praying with my Bible!"), the only narrative impetus Aronson can apply to this bland, loving clan is that of rivalry between Smith and his protege, Sufjan Stevens.
Seattle Weekly  |  Brian Miller  |  12-18-2006  |  Reviews

Performance Artnew

Condon's Dreamgirls works; Lynch's Inland Empire enthralls.
L.A. Weekly  |  Scott Foundas  |  12-18-2006  |  Reviews

Ring Cycle

Rocky Balboa works better in the past tense than in the present.
Salt Lake City Weekly  |  Scott Renshaw  |  12-15-2006  |  Reviews

Worry, Avoid 'Happy'new

Uplifting in the blandest possible way.
Washington City Paper  |  Mark Jenkins  |  12-15-2006  |  Reviews

Dreck the Hallsnew

Big names can’t help the waaay contrived story.
Washington City Paper  |  Tricia Olszewski  |  12-15-2006  |  Reviews

Piggy Blanknew

Wilbur’s relationship with Charlotte fails to stir emotions.
Washington City Paper  |  Justin Moyer  |  12-15-2006  |  Reviews

Become What You Aren'tnew

A moving drama that delivers.
Washington City Paper  |  Mark Jenkins  |  12-15-2006  |  Reviews

Decline and Fallnew

As long as Gibson's film runs, it can't get out from under the director's continued fascination with the indignities man visits on man.
Eugene Weekly  |  Molly Templeton  |  12-15-2006  |  Reviews

Food for Thoughtnew

Linklater's new film is a dull compromise between a soap opera and Upton Sinclair's The Jungle.
Eugene Weekly  |  Jason Blair  |  12-15-2006  |  Reviews

Diamond is Forevernew

Ed Zwick unearths action's golden age.
Missoula Independent  |  Nicole Panter  |  12-14-2006  |  Reviews

Bloody Nonsensenew

What happens when Mel Gibson goes native?
Missoula Independent  |  Andy Smetanka  |  12-14-2006  |  Reviews

Got Faith?new

Catholic kitsch from Mexico (Guadalupe) makes one appreciate Mel Gibson's showmanship in Apocalypto.
INDY Week  |  Sylvia Pfeiffenberger  |  12-14-2006  |  Reviews

You Had to Be Therenew

But since you weren't, we go inside the tale of Danish porn and Mexican discos with the Maestro of El Topo.
The Village Voice  |  J. Hoberman  |  12-14-2006  |  Reviews

See Spot's Karmanew

Watching The Cave of the Yellow Dog does sometimes feel like eating your vegetables -- but given its Buddhist leanings, condemning this film for emptiness really seems like missing the point.
Sacramento News & Review  |  Jonathan Kiefer  |  12-14-2006  |  Reviews

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