AltWeeklies Wire

'The Signal' Sends a Bloody, Dystopian Messagenew

Among many ridiculous scenes, the one in which someone literally jump-starts and interrogates a decapitated head summarily erases any chance you'll take the script's weak stab at social commentary -- i.e., technology is destroying our minds -- seriously.
Washington City Paper  |  Tricia Olszewski  |  02-21-2008  |  Reviews

'Charlie Bartlett' & 'Honeydripper': Cure of Dutynew

The heroes of two new films go hunting for quick fixes.
Washington City Paper  |  Tricia Olszewski  |  02-21-2008  |  Reviews

Perv is as Perv Doesnew

Silver Scream Spook Show finds its heart.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  02-20-2008  |  Reviews

Late Termnew

Marking time during Romania's oppressive regime.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  02-20-2008  |  Reviews

Scary Movies: Things to Comenew

Indie horror films like Diary of the Dead, The Signal, and The Last Winter send mixed signals about genre's future.
Creative Loafing (Atlanta)  |  Curt Holman  |  02-20-2008  |  Reviews

'Charlie Bartlett' & 'Vantage Point': Illusions of Powernew

Drug-dealing student quickly conquers high school. World peace might take slightly longer.
East Bay Express  |  Kelly Vance  |  02-20-2008  |  Reviews

Of Analogies and Alpha Dogsnew

Charlie Bartlett, fittingly, feels like a first film. It's flecked throughout with a decent store of genuine laughs and sweet, budding-romance moments, but these are offset too frequently by painfully conventional bits and notably odd directorial choices.
San Antonio Current  |  Brian Villalobos  |  02-20-2008  |  Reviews

'In Bruges' Creates a New Kind of Hit-Man Humornew

Ostensibly a comedy, the film cracks its jokes with a heavy heart. It tries to laugh off what hit men do for a living and fails miserably.
Isthmus  |  Kent Williams  |  02-19-2008  |  Reviews

'In Bruges': Limbo Shticknew

The film is a delightful mixture of the sacred and profane.
Philadelphia Weekly  |  Sean Burns  |  02-19-2008  |  Reviews

The Political Thriller Returns With a Vengeance

Director Pete Travis has turned debut screenwriter Barry Levy's Rashomon-inspired script, about an assassination attempt against a U.S. president on a visit to Salamanca into a dizzyingly complex puzzle that sits comfortably next to such great political thrillers as In the Line of Fire.
Maui Time  |  Cole Smithey  |  02-19-2008  |  Reviews

Philippa Gregory's Novel Gets Shackled

Natalie Portman and Scarlett Johansson make a handsome, if redundantly costumed, pair of 16th century English sisters in this half-hearted period drama set between King Henry VIII's noble court and his volatile bedroom.
Maui Time  |  Cole Smithey  |  02-18-2008  |  Reviews

D.I.Why?

Be Kind Rewind assumes too much about the appeal of indie effort.
Salt Lake City Weekly  |  Scott Renshaw  |  02-15-2008  |  Reviews

A World of His Ownnew

Francis Ford Coppola's first film since The Rainmaker doesn't strike gold.
Eugene Weekly  |  Molly Templeton  |  02-15-2008  |  Reviews

Snowbirdsnew

A brief history of extreme skiing.
Eugene Weekly  |  Jason Blair  |  02-15-2008  |  Reviews

Definitely Notnew

The Ryan Reynolds romantic comedy is too bland to compete with this week's foreign fare.
Los Angeles CityBeat  |  Andy Klein  |  02-15-2008  |  Reviews

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