AltWeeklies Wire

Sci-fi Twist on Action Film Flops

Michael Bay's The Island rapidly devolves into a brainless mess of chases and badly choreographed action movie clichés, all told in Bay’s signature choppy, brutal, throbbing style.
Columbus Alive  |  J. Caleb Mozzocco  |  07-25-2005  |  Reviews

Bad News Is Just Thatnew

You will still recognize a little of what remains onscreen, but the plastic surgeons have botched the job, rendering Bad News Bears hideously deformed.
Dallas Observer  |  Robert Wilonsky  |  07-25-2005  |  Reviews

Steel Wheelsnew

Murderball, a documentary about quad rugby players, absolutely kills.
Dallas Observer  |  Robert Wilonsky  |  07-25-2005  |  Reviews

Hustled

All the grit but none of the realism of John Singleton's Boyz n the Hood is found in Brewer's split-personality portrait of the Memphis hood.
Missoula Independent  |  Jason Wiener  |  07-22-2005  |  Reviews

Game Onnew

For sure, this is a movie about jocks, with all their ardor and devotion to the sport on full display, but the affecting Murderball also goes where no documentary about the physically impaired has gone before.
Austin Chronicle  |  Marjorie Baumgarten  |  07-22-2005  |  Reviews

No Signs of Lifenew

If you like Maxim, you'll love The Island -- it's glossy, expensive, full of slick ads and beautiful people reduced to posable action figures.
Austin Chronicle  |  Marrit Ingman  |  07-22-2005  |  Reviews

Rocky Meets the Mean Streets of Memphisnew

In a true starmaking turn, Terrence Howard commands the screen as a down-on-his-luck pimp and aspiring rapper.
Austin Chronicle  |  Marjorie Baumgarten  |  07-22-2005  |  Reviews

Hell-Boundnew

Rob Zombie's Super-16 death trip is the year's most viciously entertaining psycho road-movie, a heartfelt homage to '70s-era cinematic sleaze.
Austin Chronicle  |  Marc Savlov  |  07-22-2005  |  Reviews

Base Hitnew

Kids and profanity will always be funny together, but this genial remake of the Walter Matthau hit has lost some of the edge.
Austin Chronicle  |  Marc Savlov  |  07-22-2005  |  Reviews

Film's Eerie Ideas Go Out With a Bangnew

Michael Bay, director of Hollywood's most destruction-crazed movies, makes an unlikely member of the Culture of Life. But his sci-fi thriller offers a metaphorical argument against cloning, stem cell and frozen embryo research.
Creative Loafing (Atlanta)  |  Curt Holman  |  07-22-2005  |  Reviews

Film Chronicles Quiet Desperation and Cutenessnew

Me and You and Everyone We Know's most original feature is probably the way it subverts the lovelorn, hangdog heroes of films like Punch Drunk Love, Garden State and Sideways.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-22-2005  |  Reviews

A Pimp Seeks Redemptionnew

Writer/director Craig Brewer offers a harsh, credible portrayal of low-level Memphis criminality and reveals the importance hip-hop can play in "the Life."
Creative Loafing (Atlanta)  |  Curt Holman  |  07-22-2005  |  Reviews

Sweet Repeatnew

Charlie and the Chocolate Factory is Tim Burton’s most enjoyable (and strangest) film in years; it not only stands as a testament to his talents, but it may even be superior to the classic 1971 adaptation Willy Wonka and the Chocolate Factory.
Jackson Free Press  |  Paul Dearing  |  07-21-2005  |  Reviews

Candied Cinemanew

Tim Burton returns to greatness -- and Johnny Depp remains there -- with Chocolate Factory.
Tucson Weekly  |  Bob Grimm  |  07-21-2005  |  Reviews

From Pimp to Rapnew

Hustle and Flow has a lot going against it, but its star and director push it to success.
Tucson Weekly  |  James DiGiovanna  |  07-21-2005  |  Reviews

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