AltWeeklies Wire

Permanent Wavesnew

This documentary shows how real power flows not from the barrel of a gun but rather a can of hairspray.
Austin Chronicle  |  Marjorie Baumgarten  |  05-26-2006  |  Reviews

Flense With Benefits

All of this high-concept clutter just emphasizes that Barney has yet to learn how to use cinema to create illusions (or perhaps just doesn't care to).
Washington City Paper  |  Mark Jenkins  |  05-26-2006  |  Reviews

The Man With the Olden Gun

Hillcoat wavers between gripping and ponderous.
Washington City Paper  |  Tricia Olszewski  |  05-26-2006  |  Reviews

Add Eh to X

And you thought V for Vendetta was heavy-handed.
Washington City Paper  |  Tricia Olszewski  |  05-26-2006  |  Reviews

Decrypting Da Vincinew

The Da Vinci Code uses God as a cartoonish prop in a forgettable thriller -- one can hardly blame Christians for objecting.
Jackson Free Press  |  Stephen McDill  |  05-25-2006  |  Reviews

The Bloodline Gangnew

Spotty acting, uneven pacing, goofy dialogue -- The Da Vinci Code often feels like a dumbed-down synopsis of the original.
Style Weekly  |  Wayne Melton  |  05-25-2006  |  Reviews

Smack Dabnew

Clean balances real emotion with penchant for style.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  05-25-2006  |  Reviews

Mutation Nationnew

The last X-Men stands, doesn't deliver.
Creative Loafing (Atlanta)  |  Curt Holman  |  05-25-2006  |  Reviews

Saddle Sorenew

An imitation cowboy woos an underage filly Down in the Valley.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  05-25-2006  |  Reviews

Hell Is for Childrennew

12 and Holding and Dead Man's Shoes mine the kicks to be had when bad things happen to young people.
L.A. Weekly  |  Ella Taylor  |  05-25-2006  |  Reviews

Mutant Mischiefnew

With all their formidable powers, X-Men doesn't fly.
New York Press  |  Armond White  |  05-25-2006  |  Reviews

All Worked Upnew

The only thing more lame than The Da Vinci Code is the hubbub surrounding it.
Tucson Weekly  |  Bob Grimm  |  05-24-2006  |  Reviews

A True Patriotnew

Sophie Scholl: an outstanding person, but only a decent movie.
Tucson Weekly  |  James DiGiovanna  |  05-24-2006  |  Reviews

Nick Cave Plays Cowboynew

Nick Cave's second venture into screenwriting is set in Australia’s "bushranger" period, a time of outlaws and frontier living that parallels America's Wild West.
Dig Boston  |  Chris Braiotta  |  05-24-2006  |  Reviews

Freaks Just Want to Have Funnew

In short, X-Men: The Last Stand suffers from a muddled plot, and falls short of the laser focus that X2 had.
Dig Boston  |  David Wildman  |  05-24-2006  |  Reviews

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