AltWeeklies Wire
Empathy for the Stones
Martin Scorsese returns to the rock 'n' roll concert documentary genre that he helped develop in 1978 with The Last Waltz, to capture an energized performance by The Rolling Stones at New York's Beacon Theater in the fall of 2006.
Tags: Martin Scorsese, Shine a Light
Blues Travelers
Martin Scorsese's Shine a Light manages to find a new angle on the Rolling Stones in concert.
Salt Lake City Weekly |
Scott Renshaw |
03-31-2008 |
Reviews
Tags: Martin Scorsese, Shine a Light
'Stop-Loss': Well-Meaning, but Battles Itselfnew
Lord knows, even at its worst, Stop-Loss remains light years more accomplished than the hand-wringing speeches we've been subjected to recently.
The Memphis Flyer |
Sean Burns |
03-31-2008 |
Reviews
Tags: Kimberly Peirce, Stop-Loss
'Race' a Bad Rip-off of Hollywood Thrillersnew
Race is Bollywood masala (commercial) film at its worst, a concoction of disjointed scenes dressed up as eye candy in the form of pretty boys and beauties in an absurd story that wouldn't even hold up in a fantasy world, let alone the real world it supposedly portrays.
Shepherd Express |
R. Paul Dhillon |
03-28-2008 |
Reviews
Ex-'Friend' Takes on Filmnew
David Schwimmer says that it made sense to him to eventually direct films because he had been doing that job for most of his adult life.
The Georgia Straight |
staff |
03-28-2008 |
Reviews
Tags: David Schwimmer, Run Fat Boy Run
Renee Zellwegger Poster Girl for Period Piecesnew
Although Renee Zellwegger is perhaps best known for playing modern Brit Bridget Jones, she hasn't portrayed a contemporary American character for six years.
The Georgia Straight |
Ian Caddell |
03-28-2008 |
Reviews
Tags: George Clooney, Leatherheads
'21' is Full of Plot Implausibilitiesnew
For most of its length, 21 seems like a cautionary tale ... at least, until the whole point is negated by a tacked-on happy ending.
Los Angeles CityBeat |
Andy Klein |
03-28-2008 |
Reviews
Tags: 21, Robert Luketic
Survival of the Luckiestnew
4 Months is a dream of beautiful filmmaking that takes the shape of a nightmare about power, freedom, friendship and the choices a person makes.
Eugene Weekly |
Molly Templeton |
03-28-2008 |
Reviews
Finders Keepersnew
The Bank Job is merely sufficient, a serviceable but forgettable film that appeases in the same way drive-thru food appeases. It should be savored about as much.
Eugene Weekly |
Jason Blair |
03-28-2008 |
Reviews
Tags: Roger Donaldson, The Bank Job
Shorts Weathernew
Many of this year's Oscar-nominated shorts feel, unsurprisingly, like short stories, slices of life and character that leave an impression, a feeling, an unforgettable image.
Eugene Weekly |
Molly Templeton |
03-28-2008 |
Reviews
Cross-country Musicnew
Without ever saying something so obvious, The Band's Visit is underlined by the idea of music as a means of communication that requires no words to express the deepest feelings.
Eugene Weekly |
Molly Templeton |
03-28-2008 |
Reviews
Tags: Eran Kolirin, The Band's Visit
Making the Bandsnew
Girls Rock! is a fascinating behind the scenes peek at the Rock 'n' Roll Camp for Girls, and an inspiring introduction to the camp for parents and kids who may not have heard of it before.
Eugene Weekly |
Molly Templeton |
03-28-2008 |
Reviews
Growing Painsnew
Miss Pettigrew takes place in graceful, somewhat old-fashioned territory.
Eugene Weekly |
Molly Templeton |
03-28-2008 |
Reviews
'The Year My Parents Went on Vacation' Drops the Ballnew
The film recreates World Cup fever in 1970s Brazil, but the story is stale.
Montreal Mirror |
Mark Slutsky |
03-28-2008 |
Reviews
'Stop-Loss': History Imitates History Onscreennew
Stop-Loss may be a necessary link in the bridge from Michael Moore to the eventual Iraq II equivalent of Dr. Strangelove, MASH or Three Kings. And for that, I salute it.
L.A. Weekly |
Scott Foundas |
03-28-2008 |
Reviews
Tags: Kimberly Peirce, Stop-Loss
