AltWeeklies Wire

Don't Judge Film By Its Plot Linenew

It sounds corny, but How She Move proves you can’t judge a film by its plot line, even if it sounds suspiciously similar to a few other movies about stomping the yard and dreaming your dream and dancing like you mean it.
Boulder Weekly  |  Michael Phillips  |  02-04-2008  |  Reviews

Dance Dance Revolutionnew

Filmmaker Ian Iqbal Rashid never thought he’d end up directing How She Move. The London-based director, whose debut feature, Touch of Pink, is a gay romcom that was a hit at Sundance in 2004.
Montreal Mirror  |  Matthew Hays  |  01-31-2008  |  Profiles & Interviews

'How She Move': Dancing is Overshadowed by Platitudesnew

The story never finds its groove, with underdeveloped characters and relationships and an arc that doesn't exactly surprise. Worse, the dancing, though athletic, isn't always that impressive, nearly ensuring that a better title would have been How She Tank.
Washington City Paper  |  Tricia Olszewski  |  01-24-2008  |  Reviews

'How She Move': Thank God for Pop Cinemanew

A dance musical that touches on global politics?
New York Press  |  Armond White  |  01-24-2008  |  Reviews

Cary On

Touch of Pink creates a realistic Cary Grant, but no realistic human comedy
Salt Lake City Weekly  |  Scott Renshaw  |  09-24-2004  |  Reviews

Channeling Cary Grantnew

Despite its silly title, Touch of Pink isn’t the gay guy’s version of a Doris Day romantic comedy, but rather a meditation on culture clash, mother/son relations, and the ghost of a Hollywood legend.
Austin Chronicle  |  Steve Davis  |  09-21-2004  |  Reviews

His Guy Friday: Gay Movie Buff Takes Tips From Cary Grantnew

Even the sturdiest heterosexual will have trouble not grinning as Kyle MacLachlan glibly chirps lines like, "Your people do have a fondness for the brassy blondes, don't they?"
Miami New Times  |  Gregory Weinkauf  |  09-07-2004  |  Reviews

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