AltWeeklies Wire

They Still Sound Streetnew

This better, stronger, faster version of Slick & Rose goes forward into a big, bad music industry with a new sense of self-confidence.
Creative Loafing (Atlanta)  |  Carlton Hargro  |  11-23-2005  |  Profiles & Interviews

Perhaps the Band Should Find Some New Hobbiesnew

U2 may not have the power to change the world with its music, but it still has the power of its celebrity.
Creative Loafing (Atlanta)  |  Nikhil Swaminathan  |  11-17-2005  |  Profiles & Interviews

She Makes Dreams Come Truenew

Fantasia's strings of life weren't always so sweet as her gorgeous high notes.
Creative Loafing (Atlanta)  |  Tamara Palmer  |  11-17-2005  |  Profiles & Interviews

His Take on Swing Is Contemporary and Retronew

Traditional covers from Ellington, Gershwin and "Fats" Waller swing freshly, and Ray Noble's "Cherokee" features a breakneck virtuosity.
Creative Loafing (Atlanta)  |  Mark Gresham  |  11-10-2005  |  Reviews

Band Discusses Image With Black Dialoguenew

Akrobatik says his band turned being from Boston to their benefit, taking the time to grow their sound rather than waiting to be discovered by Jay-Z or Russell Simmons.
Creative Loafing (Atlanta)  |  Chris parker  |  11-10-2005  |  Profiles & Interviews

Performance Artist Takes Lunar Adventurenew

Space and NASA provide The End of the Moon its ostensible subject matter, but as is the case with Anderson's other performances, the album ultimately explores life in America.
Creative Loafing (Atlanta)  |  Alex Rawls  |  11-10-2005  |  Profiles & Interviews

Less Is Morenew

Broadcast is adept at combining aspects of retro pop with futuristic pops, which makes the comparison of Tender Buttons' static-basted machine beats and scuffed synth melodies with Alphaville -- featuring a mecho-organic computer at its heart -- all the more appropriate.
Creative Loafing (Atlanta)  |  Tony Ware  |  11-10-2005  |  Profiles & Interviews

A Punk-Only Doctrine Morphs into the Electronic Dancenew

There's nothing on Juan Maclean's album Less Than Human to suggest a once-doctrinaire punk is behind it.
Creative Loafing (Atlanta)  |  Alex Rawls  |  11-10-2005  |  Profiles & Interviews

Modest Gains Are Hardly Worth Praisenew

While a definite improvement over their poisonous introductory EP, Lions' modest gains are hardly worthy of praise, let alone the absurd hyperbole that inevitably attaches to any band that suffers a Wilco-esque major-label wipeout.
Creative Loafing (Atlanta)  |  Jon Garrett  |  11-04-2005  |  Reviews

Duo Puts Out Strong, Promising Debutnew

Fronted by the coed duo of Flora Reed and Philip Price, Massachusetts' Winterpills play melancholy indie-pop in the vein of Elliot Smith on their 10-track, self-titled debut.
Creative Loafing (Atlanta)  |  Cory Byrom  |  11-04-2005  |  Reviews

Band Pushes Unique Style of Bizarro Metal to Logical Endnew

Catch Thirty-Three outdoes all of the band's recent efforts, even topping last year's stellar I EP, which, with its one 20-minute song, hinted at where the band was heading.
Creative Loafing (Atlanta)  |  Cory Byrom  |  11-04-2005  |  Reviews

This Quiz is B-A-N-A-N-A-Snew

Gwen Stefani ain’t this reviewer's hollaback girl so here's a quiz instead of an interview.
Creative Loafing (Atlanta)  |  Jamie Allen  |  11-04-2005  |  Profiles & Interviews

Folk Musician Looks at Past, Present and Dylannew

Now 64 and a new grandma, Joan Baez appeared recently in No Direction Home, the Martin Scorsese documentary about Bob Dylan, with whom Baez had a romantic and artistic collaboration in the early '60s.
Creative Loafing (Atlanta)  |  Jeff Kaliss  |  11-04-2005  |  Profiles & Interviews

Hasidic Reggae Artist Doesn't Playnew

Hailing from Crown Heights, Brooklyn, Matisyahu is a Hasidic reggae artist who rocks a mic the way he rocks a yarmulke: tight and straight from the dome.
Creative Loafing (Atlanta)  |  Tony Ware  |  11-04-2005  |  Profiles & Interviews

Quintet Walks Softly, Carries Big Hooknew

Few tracks jump out, but every song beckons you back to discover its layered pleasures, often oblique lyrical nuances and understated melodic charms.
Creative Loafing (Atlanta)  |  Hal Horowitz  |  10-27-2005  |  Reviews

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