AltWeeklies Wire

Ang Lee Goes Big: Ocean Survival Story Raises the Bar on Spectacle

Gracefully sidestepping its overreaching, religiously didactic premise — that the unfolding story offers up absolute proof of God — Ang Lee’s lush 3D adaptation of Yann Martel’s restrained novel of magical realism is a stunner.
City Pulse  |  Cole Smithey  |  11-19-2012  |  Movies

Resizing Tolstoy: Tom Stoppard’s Visible Magic Shines

Resizing Tolstoy Tom Stoppard’s Visible Magic Shines
City Pulse  |  Cole Smithey  |  11-12-2012  |  Reviews

Stripped Down Bond No Competition With Craig’s 007 Around

The 23rd installment in the longest-running franchise in cinema history is crafted to satisfy fans from every era of the series based on the Ian Fleming novels. Sam Mendes tastefully directs this outing of action-based espionage, gently shifting gears between a literary approach to wit, style, personality, and spectacle.
City Pulse  |  Cole Smithey  |  11-05-2012  |  Reviews

Spielberg Doesn’t Trouble the Water: Daniel Day Lewis Flawless as Always

See the film for Daniel Day Lewis. As for the “history lesson” on display, take it with a grain of salt.
City Pulse  |  Cole Smithey  |  11-04-2012  |  Reviews

Goth Penn: Sean Penn Goes Out On a Limb

“This Must Be the Place” is a canny model of life-affirming cinema.
City Pulse  |  Cole Smithey  |  10-29-2012  |  Reviews

Down In Flames: Robert Zemeckis Burns the Popcorn

Enjoyable in that Hollywood-popcorn way for which Robert Zemeckis is famous— see “Who Framed Roger Rabbit,” skip “Forest Gump” — “Flight” is a drama that would have been better without the director's love of schmaltz.
City Pulse  |  Cole Smithey  |  10-29-2012  |  Reviews

Connection Lost The Wachowski Siblings and Tom Tykwer Play the Wrong Loops

“Cloud Atlas” wants to be more than it is. For a movie pitched as a Meta-Meta exploration linking all of humanity through the ancient past to the recent past to the faraway future, it nosedives before getting out of the gate.
City Pulse  |  Cole Smithey  |  10-22-2012  |  Reviews

Getting Busy: Mark O’Brien’s Introduction to Sex Opens Doors

The most unlikely film of 2012, “The Sessions” is a defiant romantic comedy of serious import that pushes the boundaries of R-rated intimacy.
City Pulse  |  Cole Smithey  |  10-15-2012  |  Reviews

Back In Time: Sci-fi Thriller Can’t Solve its Own Loopholes

As time-travel suspense thrillers go “Looper” is only a pinch better than mediocre.
City Pulse  |  Cole Smithey  |  09-24-2012  |  Reviews

Girl Power: Anna Kendrick and Rebel Wilson Save A Cappella Comedy

Essentially a glorified episode of the television show “Glee,” “Pitch Perfect” is a spotty coming-of-age comedy that only marginally pays off on its promise of delivering harmonized vocal virtuosity.
City Pulse  |  Cole Smithey  |  09-24-2012  |  Reviews

Bad Cop to Good Cop: David Ayers Switches Teams

“End of Watch” is a gritty brief apologia from writer-director David Ayer for his less than complementary Los Angeles copsploitation films “Training Day” and “Harsh Times.”
City Pulse  |  Cole Smithey  |  09-18-2012  |  Reviews

Loving Up Wall Street Corruption: Nicholas Jarecki Caters to the One Percent

Some not-so-fancy narrative mechanics set Richard Gere up as a one-percenter antihero in a movie that deplorably attempts to mitigate the evil that wealthy corruption loves to wield at every level of social injustice.
City Pulse  |  Cole Smithey  |  09-10-2012  |  Reviews

The Pitfalls of Academia: Josh Radnor Shows You Can’t Go Back

Writer-director-actor Josh Radnor follows up his debut feature (“Happythankyoumoreplease”) with a compact romantic comedy that almost works, but not quite.
City Pulse  |  Cole Smithey  |  09-10-2012  |  Reviews

Moonshine Rebels: Public Enemy Era Splashes with Booze and Blood

Inflected with the same gritty appreciation for brutal violence that director John Hillcoat applied to his Australian-set period Western “The Proposition,” “Lawless” is a Depression era bootleg gangster fantasy baked in booze, blood, and grime.
City Pulse  |  Cole Smithey  |  08-28-2012  |  Reviews

Almost Human: Frank Langella Accepts His Inner Machine

from an actor’s showcase perspective, the film allows the redoubtable Frank Langella to cast his glowing spell over his audience.
City Pulse  |  Cole Smithey  |  08-20-2012  |  Reviews

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