AltWeeklies Wire

Emotionally Direct: Lou Barlow's New Albumnew

Lou Barlow consolidates the music from his past into his newest low-fi solo album.
Tucson Weekly  |  Gene Armstrong  |  06-09-2010  |  Profiles & Interviews

The Fall: 'Your Future Our Clutter'new

The Fall's new album sounds as dynamic and engaging as anything they've done in the last 30-odd years.
Tucson Weekly  |  Gene Armstrong  |  06-02-2010  |  Reviews

Band of Horses: 'Infinite Arms'new

A label change and a long, labored recording process left Band of Horses just about where it started--with an instantly compelling indie Americana sound.
Tucson Weekly  |  Eric Swedlund  |  06-02-2010  |  Reviews

The Mission Creeps: Dark Cellsnew

This always-intriguing Tucson act is polishing its sound--a combination of surf, psychobilly, Goth and horror-movie soundtrack influences--to a hard-lacquered sheen.
Tucson Weekly  |  Gene Armstrong  |  05-25-2010  |  Reviews

The New Pornographers: 'Together'new

Bandleader Carl Newman writes idiosyncratic, impressionistic verses drawn from (one must assume) personal experiences and tumultuous emotions, but the results often are lyrically abstract.
Tucson Weekly  |  Gene Armstrong  |  05-25-2010  |  Reviews

Batucaxé: The Blessing of the Beatnew

The Blessing of the Beat, the first CD from local Afro-Brazilian collective Batucaxé, includes songs from Brazilian artists, as well as original songs written with South American and African music in mind.
Tucson Weekly  |  Annie Holub  |  05-25-2010  |  Reviews

Rise of the Synthnew

Shawn Foree had previously flirted with several different varieties of synth-based music—noisy synth-punk with electric guitar, and '80s British-inspired electro-pop—but on Warm Brother, he began using elements such as acoustic guitars and live drums, which he'd never used before, and which added a considerable amount of depth and variation.
Tucson Weekly  |  Stephen Seigel  |  05-25-2010  |  Profiles & Interviews

Dosh: All About Ambiancenew

Dosh's Tommy is complex but clean, experimental but listenable.
Tucson Weekly  |  Annie Holub  |  04-28-2010  |  Reviews

Drive-by Truckers: 'The Big To-Do"new

The Drive-by Truckers have created some of the most memorable perverts, drunks and assorted lowlifes of their career on The Big To-Do, an album packed with stories and characters presented with a photojournalist's detached honesty.
Tucson Weekly  |  Eric Swedlund  |  04-28-2010  |  Reviews

Controlled 'Kairos' from White Hinterlandnew

Kairos, the second album from White Hinterland, is a stripped-down, atmospheric record with up-front, bright vocals.
Tucson Weekly  |  Eric Swedlund  |  04-28-2010  |  Reviews

Baroness: Battered and Bruisednew

Baroness draws on old-world fables and romantic poetry to create its own brand of metal/indie rock.
Tucson Weekly  |  Gene Armstrong  |  04-28-2010  |  Profiles & Interviews

MGMT's Second Album is Counterintuitivenew

On Congratulations, MGMT almost entirely avoids their debut's clubby enthusiasm, instead narrating a wistful psych-pop walking tour that's more synthesis than synth-pop.
Tucson Weekly  |  Sean Bottai  |  04-22-2010  |  Reviews

Quartet From San Francisco Rearranges Rocknew

Man/Miracle's debut record incorporates myriad styles: jam band, world-music rhythms, melodic pop choruses, raw-edged roadhouse rock and plenty of loud guitar.
Tucson Weekly  |  Eric Swedlund  |  04-22-2010  |  Reviews

Dr. Dog's Latest is Endlessly Catchynew

There's always been an off-kilter joy in Dr. Dog's music, but on the Philadelphia quintet's first album for the eclectic ANTI- Records, there's also an impressive crispness that only enhances the endlessly catchy songs.
Tucson Weekly  |  Eric Swedlund  |  04-22-2010  |  Reviews

Pat Metheny: Gadget Gimmick?new

Does the music produced by this amalgam of player piano and one-man-band hold up? Mostly.
Tucson Weekly  |  Gene Armstrong  |  04-15-2010  |  Reviews

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