AltWeeklies Wire

Korean Fusionnew

Though specific to his country's cultural situation, Korean director Hong Sang-soo's Woman on the Beach offers flavors of quarterlife angst and romantic insecurity for which American audiences clearly have an insatiable appetite.
New York Press  |  Benjamin Sutton  |  01-10-2008  |  Reviews

No Country for Unconscious Peoplenew

John Sayles puts the imaginative life of African-Americans on the screen better than most.
New York Press  |  Armond White  |  01-10-2008  |  Reviews

Horror's New Kingnew

Producer Guillermo del Toro on Almodovar, the female force in film and discrimination against kids in cinema.
New York Press  |  Jennifer Merin  |  01-03-2008  |  Profiles & Interviews

Inside the Mind of a Killernew

Factual consistency predicates the narrative in The Killing of John Lennon, but Andrew Piddington's re-creation of Lennon assassin Mark David Chapman's descent into murderous insanity is hardly a procedural investigation into psychological disarray.
New York Press  |  Eric Kohn  |  01-03-2008  |  Reviews

A Year Without Altmannew

The notable abscence of the master director diminished the art of movies in 2007.
New York Press  |  Armond White  |  01-03-2008  |  Movies

Everybody and Their Brother Made a Movie in 2007new

Coens, Afflecks, Farrellys, Wilsons, Wachowskis… O brother, there art thou!
New York Press  |  Staff  |  01-03-2008  |  Movies

The Better Than Listnew

End of the year movie polls used to offer consensus; now they preserve film culture's herd-mentality. But anyone who responds to movies for what they mean -- instead of the way they are sold -- must depart the herd. That's how to find good, unheralded (often derided) films that don't insult the intelligence.
New York Press  |  Armond White  |  01-03-2008  |  Movies

'The Orphanage': Scary Movienew

Spanish horror from newcomer Juan Antonio Bayona brings back the thrill of a classic ghost story.
New York Press  |  Eric Kohn  |  12-27-2007  |  Reviews

'The Bucket List': When Jack Met Morgannew

Rob Reiner's new comedy contradicts itself with star power.
New York Press  |  Eric Kohn  |  12-27-2007  |  Reviews

'The Great Debaters' Commits the Worst Kind of Sentimentalizingnew

Denzel Washington's black biopic is more concerned with uplifting than exposing truth.
New York Press  |  Armond White  |  12-27-2007  |  Reviews

'Charlie Wilson's War': Power Chicnew

Mike Nichols and Aaron Sorkin replace the solemnity of war with irreverent shtick.
New York Press  |  Armond White  |  12-27-2007  |  Reviews

Bride and Prejudicenew

Dutiful and religious in a time when neither are in fashion, the two young women in Arranged -- one Muslim, the other Orthodox Jewish -- are drawn toward one another as they navigate traditional ways of finding partners in a nontraditional world.
New York Press  |  Shahnaz Habib  |  12-20-2007  |  Reviews

Growing Up in Extremist Timesnew

Marjane Satrapi's memories of Iran come to life in vivid black and white in Persepolis.
New York Press  |  Eric Kohn  |  12-20-2007  |  Reviews

Walk Softnew

The cast is the only reason that The Walker, Paul Schrader's elegant whodunit, never becomes entirely lethargic.
New York Press  |  Eric Kohn  |  12-20-2007  |  Reviews

Second Life is for Sapsnew

P.S. I Love You is a sentimental love story offers little more than mopey moments.
New York Press  |  Jennifer Merin  |  12-20-2007  |  Reviews

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