AltWeeklies Wire
'My Best Friend': Friends You Can Count On One Handnew
It is the kind of sprightly European import that will do well enough at local box offices to inspire an American version that, because marketed in English, will outperform the original.
San Antonio Current |
Steven G. Kellman |
08-15-2007 |
Reviews
Tags: My Best Friend, Patrice Leconte
'My Best Friend': Who Needs Strangers?new
In the end, the film is too gimmicky -- it climaxes with Bruno on the French version of Who Wants to Be a Millionaire -- to ever be a great movie, but it offers plenty of small pleasures.
Baltimore City Paper |
Geoffrey Himes |
08-14-2007 |
Reviews
Tags: My Best Friend, Patrice Leconte
Patrice Leconte's 'My Best Friend'new
Leconte seems to be under the impression that he's making a serious movie, or at least one substantially less absurd than it ought to be.
Philadelphia City Paper |
Sam Adams |
07-31-2007 |
Reviews
Tags: My Best Friend, Patrice Leconte
'My Best Friend': Buddy Upnew
A forced friendship that doesn't sweat the gay stuff.
New York Press |
Armond White |
07-12-2007 |
Reviews
Tags: My Best Friend, Patrice Leconte
Patrice Leconte, Unlikely Auteurnew
An encounter with a master of encounters.
Los Angeles CityBeat |
Wade Major |
07-05-2007 |
Profiles & Interviews
Tags: Patrice Leconte
Deceptive Men and Manipulative Womennew
It's a real credit to director Leconte that even though his film features a couple of ridiculous contrivances to get the plot going, the overall film still feels true.
New Times Broward-Palm Beach |
Luke Y. Thompson |
08-30-2004 |
Reviews
The Doctor Isn’t In, But the Tax Attorney Isnew
Leconte’s film tells a surprisingly romantic tale of confused identity and psychoanalysis.
Austin Chronicle |
Kimberley Jones |
08-20-2004 |
Reviews
A Siren Confesses Her Secrets in Talky Thrillernew
In an effort to maximize the intrigue, director Patrice Leconte uses some Bernard Herman-style music to suggest a build to thriller payoff, though that build is largely a ruse. The film's first half, with its promise of deep mysteries to be cracked wide open, never materializes in its less satisfying second half.
Creative Loafing (Atlanta) |
Felicia Feaster |
08-13-2004 |
Reviews
