AltWeeklies Wire

One Word: Plasticnew

Fans of The Graduate should skip this strange comedy, which posits that the real-life inspiration for counterculture icon Benjamin Braddock grew up to be a cheesy, brainless high-tech zillionaire doing yoga and driving a Mercedes around Half Moon Bay.
Austin Chronicle  |  Marrit Ingman  |  12-27-2005  |  Reviews

No Business Like Show Businessnew

The movie's wonderfully over-the-top performances often feel constrained by first-time film director Susan Stroman, whose inexperience behind the camera is all too apparent.
Austin Chronicle  |  Steve Davis  |  12-27-2005  |  Reviews

The Price of Freedom Is Eternal Vengeancenew

Munich is dense, thoughtful filmmaking that nonetheless flies along: Seething with multilayered, subtextual arguments, it’s also a heck of a thriller.
Austin Chronicle  |  Marc Savlov  |  12-27-2005  |  Reviews

L'Chaimnew

This Israeli comedy is a wholly original movie that's set and filmed entirely within the insular realm of Jerusalem’s ultra-orthodox Hasidim.
Austin Chronicle  |  Marc Savlov  |  12-21-2005  |  Reviews

Run Jackass, Runnew

This Farrelly brothers comedy purports to have a message about treating the intellectually challenged as regular human beings, which is about as disingenuous as a comedy about seeing past a person’s body size that stars Gwyneth Paltrow in a fat suit.
Austin Chronicle  |  Marjorie Baumgarten  |  12-21-2005  |  Reviews

Girls, Interruptednew

Well, we’re not in Chicago anymore, or even its soundstage approximation, but that hasn’t stopped Oscar-nominated director Rob Marshall from fashioning another epic spectacle out of two squabbling women in (a sort-of) show business.
Austin Chronicle  |  Kimberley Jones  |  12-21-2005  |  Reviews

The Life of a Persian Polymathnew

Houston-based, Iranian-born filmmaker Mashayekh relates the story of the pioneering 11th-century mathematician, astronomer, and poet, and reminds Western audiences that there’s more to Iran and the Middle East than suicide bombers and hummus.
Austin Chronicle  |  Marc Savlov  |  12-21-2005  |  Reviews

See Dick and Jane Run Agroundnew

The original version of this comedy was little countercultural, a lot class-conscious, and a touch subversive; this remake is all farce when what is needed is satire.
Austin Chronicle  |  Marjorie Baumgarten  |  12-21-2005  |  Reviews

No Bargain at Any Pricenew

This unasked-for sequel fuses the original concept with the well-worn formula of the family-vacation romp.
Austin Chronicle  |  Marrit Ingman  |  12-21-2005  |  Reviews

Delivering the Unexpectednew

The award-winning stories in this collection illustrate what separates workaday journalism from craft.
Austin Chronicle  |  Nora Ankrum  |  12-16-2005  |  Nonfiction

Western Weepienew

The beautifully wrought film is a tragic love story (not a "gay cowboy movie") that’s defined by its staggering heartbreak.
Austin Chronicle  |  Marjorie Baumgarten  |  12-15-2005  |  Reviews

The Eighth Wonder of the Worldnew

Peter Jackson's remake is a corker of an action/monster movie: part RKO serial; part square-jawed, manly romp; and part classic journey into the unknown that recalls and references Heart of Darkness.
Austin Chronicle  |  Marc Savlov  |  12-15-2005  |  Reviews

Shelter From the Stormnew

There's a sweet bent to this simple South African film about a multicultural group of employees at a Cape Town animal shelter who find both goodness and hope in their troubled lives.
Austin Chronicle  |  Steve Davis  |  12-15-2005  |  Reviews

All in the Familynew

This likable romantic comedy runs the gamut of emotions -- hitting tenderness, rage, remorse, and everything in between -- but there are too many characters with too little chemistry to be a real keeper.
Austin Chronicle  |  Kimberley Jones  |  12-15-2005  |  Reviews

Oil Makes the World Go Roundnew

One of the most uncompromising movies of the year, Syriana is like a living tableaux composed from all the stories that lurk just behind the news, the stories that put human faces on the demand for oil.
Austin Chronicle  |  Marjorie Baumgarten  |  12-08-2005  |  Reviews

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