AltWeeklies Wire

Meryl Streep's Brillance May Go Unnoticednew

Long after her highly praised, highly artificial performances in the 1980s (and her by-default Oscar-nominated parts in the 1990s), she has recently entered her most interesting phase as an actress.
New York Press  |  Armond White  |  04-10-2008  |  Reviews

Parkour Lifts Young New Yorkers Up Above It Allnew

As a dispossessed teenager in a working-class suburb of Paris, Frenchman David Belle invented parkour, a way of moving with the purpose of findng the most efficient way of crossing a landscape, usually an urban one, by adapting to obstacles without hesitation or disruption to the intended path.
New York Press  |  Derin Thorpe  |  04-10-2008  |  Sports

'My Blueberry Nights': Pie in the Skynew

Norah Jones wows in Wong Kar-wai's sensual, romantic achievement.
New York Press  |  Armond White  |  04-03-2008  |  Reviews

'Flawless': Time for Her Close-Upnew

Demi Moore makes another comeback -- but this time she resembles a drag queen.
New York Press  |  Armond White  |  04-03-2008  |  Reviews

I Won't Grow Upnew

In last month's Atlantic Monthly, Lori Gottlieb told women to settle for "Mr. Good Enough." But I want to hold out for something better.
New York Press  |  Dana Schuster  |  04-03-2008  |  Commentary

The Green Ladynew

With a brutal recession looming, what's with the New York Times' odd obsession with overpriced clothes?
New York Press  |  Russ Smith  |  04-03-2008  |  Media

'Flight of the Red Balloon': Blow Upnew

Trying to be too grown up, the film never penetrates child consciousness.
New York Press  |  Armond White  |  04-03-2008  |  Reviews

Martin Scorsese Has Withdrawn from Social Realismnew

The concert itself -- and by extension, the film -- is a hollow spectacle; it's a celebration of fame, not music as artistic expression.
New York Press  |  Armond White  |  04-03-2008  |  Reviews

Alina Simone Recovers Russian Folk Musicnew

She's interpreting the late folk-punk icon Yanka Dyagileva's folk songs for a new generation.
New York Press  |  Saby Reyes-Kulkarni  |  04-03-2008  |  Profiles & Interviews

Aloha Embraces the World of Creature Comfortsnew

The band's radiant new EP, Light Works, conjures all the sweet contentment of home: it's a sentiment that isn't terribly surprising coming from a quartet whose name is the Hawaiian word for "love," as well as "hello" and "good-bye."
New York Press  |  Amre Klimchak  |  04-03-2008  |  Profiles & Interviews

Gladwell Huntingnew

A Nobel Prize winner takes on Malcolm Gladwell over the origins of The Tipping Point.
New York Press  |  Matt Elzweig  |  04-03-2008  |  Books

For Eels, There's Life After Memoirnew

Customarily, a career retrospective and personal memoir come at the tail end of an artist's career. And despite Mark Oliver Everett's claims to the contrary, the book serves as a fitting bookend to his tumultuous career.
New York Press  |  Doug Black  |  03-27-2008  |  Profiles & Interviews

'Meet the Browns' is a Woeful Setbacknew

Tyler Perry's primitive film style is no less arrogant than Michael Mann's slickness, but the addition of earnestness and gospel-gangster homilies makes the lack of technique especially offensive. The appalling thing about Meet the Browns is that Perry writes and directs as if his audience had never seen a movie.
New York Press  |  Armond White  |  03-27-2008  |  Reviews

'Stop-Loss' Is Merely a Respectable Effortnew

Stop-Loss judges its Texas veterans in terms taken from Vietnam-era dissent. The director doesn't exactly rise to the occasion for national unity, but at least her final image of Brandon/Phillippe doesn't sink into fashionable cynicism.
New York Press  |  Armond White  |  03-27-2008  |  Reviews

Obamalotnew

Can Barack ever measure up to Jack? We ponder the endless Kennedy comparisons.
New York Press  |  Russ Smith  |  03-27-2008  |  Commentary

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