AltWeeklies Wire

Roger Clyne and the Peacemakers: Unida Cantinanew

Roger Clyne has a long-nurtured fascination with Mexico, singing plenty about the low-key party life found beachside, and peppering his Southwest rock with Spanish -- and an open invitation to join him in the escape.
Tucson Weekly  |  Eric Swedlund  |  05-10-2011  |  Reviews

Fleet Foxes: Helplessness Bluesnew

There are two readings of Fleet Foxes' genial sophomore album. First, it is slightly dull; innocuous folk rhythms jostle against Robin Pecknold's demotic lyrics and boys'-choir three-part harmonies. Second, it is a nice experiment; its halcyon melodies, occasionally restrained, are loose enough to allow for some intriguing gambles.
Tucson Weekly  |  Michael Petitti  |  05-10-2011  |  Reviews

The Submarines: Love Notes/Letter Bombsnew

The title of The Submarines' third album is a clear indication of the songs' intent. Consider it music as an ongoing couple's-therapy session.
Tucson Weekly  |  Eric Swedlund  |  05-02-2011  |  Reviews

Fitz and the Tantrums: Pickin' Up the Piecesnew

With their 1970s throwback rock leaning heavily on R&B, soul and funk, Fitz and the Tantrums sound like the house band in a Quentin Tarantino film.
Tucson Weekly  |  Eric Swedlund  |  04-25-2011  |  Reviews

Yelle: 'Safari Disco Club'new

Unless you're fluent in French, you'll miss the details of Yelle's lyrics -- but the nature of this Gallic dance-pop trio's second album is obvious: pure fun.
Tucson Weekly  |  Gene Armstrong  |  04-19-2011  |  Reviews

The Pains of Being Pure at Heart Combine Ambition and Consistency on New Albumnew

Imagine if angst hadn't blanketed the alternative music of the late 1980s and 1990s -- and a bright earnestness had been the core impulse instead. The Pains of Being Pure at Heart exist at the heart of that alternate reality.
Tucson Weekly  |  Eric Swedlund  |  04-15-2011  |  Reviews

Naim Amor: Dansonsnew

Naim Amor's signature French-and-English mix of jazz, pop and rock shifts toward the tropical on his latest album, a 12-song set that conjures a long afternoon of breezy tranquility.
Tucson Weekly  |  Eric Swedlund  |  03-28-2011  |  Reviews

Sharon Van Etten: Epicnew

Heartbreak can make prisoners of songwriters, trapping them in a whirlpool of doubt and misery. And whatever good intentions or poetic talent that existed at a song's inception can get swept away as the hard edges of truth are worn down by self-pity.
Tucson Weekly  |  Eric Swedlund  |  03-25-2011  |  Reviews

Wye Oak: Civiliannew

With their third album, the Baltimore-based team of vocalist and guitarist Jenn Wasner and drummer-keyboards player Andy Stack creates a dramatic dynamic, challenging the conventions of folk rock.
Tucson Weekly  |  Gene Armstrong  |  03-22-2011  |  Reviews

Ferrodyne: St. John's Daynew

From a critical viewpoint, you might worry if a band is recommended purely because its members are nice people, which is how more than one trusted musical adviser introduced me to Ferrodyne.
Tucson Weekly  |  Gene Armstrong  |  03-15-2011  |  Reviews

Sic Alps: Napa Asylumnew

As with labelmates Magik Markers, Oakland, Calif.'s Sic Alps treads such a very fine line between ramshackle, lo-fi scuzz and effortless pop melodies that it's endearing, impressive and fun to guess where things will go next.
Tucson Weekly  |  Brian Mock  |  02-28-2011  |  Reviews

Ebsen and the Witch: Violet Criesnew

As a study in atmospherics, Violet Cries works.
Tucson Weekly  |  Sean Bottai  |  02-28-2011  |  Reviews

Mark Growden: Lose Me in the Sandnew

Inspired by the musical vibe in Tucson, Bay Area musician, composer and singer Mark Growden employed an all-star lineup of country and blues players from the Old Pueblo to record his explosive new album.
Tucson Weekly  |  Gene Armstrong  |  02-28-2011  |  Reviews

Wanda Jackson: The Party Ain't Overnew

This album's music is occasionally too misplaced
Tucson Weekly  |  Michael Petitti  |  02-24-2011  |  Reviews

The Go! Team: Rolling Blackoutsnew

Brighton, England's The Go! Team makes a propulsive, kinetic music, drawing together indie-pop, dancehall beats, hip-hop and all manner of samples and screeching guitar noise.
Tucson Weekly  |  Eric Swedlund  |  02-24-2011  |  Reviews

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