AltWeeklies Wire

Finally Punk's Debut Full-Length Features No-Wave Aestheticsnew

Jagged sounds and riot grrrl sneers provide the backbone to Casual Goths.
Creative Loafing (Atlanta)  |  Chad Radford  |  09-22-2009  |  Reviews

Killer Mike Lets a Diverse Group Loose on 'Underground Atlanta'new

The two-disc set is charming and solid all the way through, and features highlights from such lesser-known talents as Rich Kidz ("Bowling") and Prynce Cyhi ("Don't Go Outside"), as well as winners from veterans including Pastor Troy and Trillville, whose "I Be Off Dat" recalls the group's crunk-era glory.
Creative Loafing (Atlanta)  |  Ben Westhoff  |  09-22-2009  |  Reviews

Blue-Eyed Soulster Mayer Hawthorne Proves His Songwritingnew

These tunes are just slightly more soulful than the pop ditties that made the Rascals, the Association, and the Lovin' Spoonful '60s favorites. What's strange is how often you find yourself pressing repeat.
Creative Loafing (Atlanta)  |  L. Michael Gipson  |  09-22-2009  |  Reviews

Calvin Richardson Pleasantly Reimagines Bobby Womacknew

Richardson's commitment to traditional interpretations of this popular material highlights Womack's skill as a lyricist and arranger on par with Barry White, Leon Ware and Willie Hutch -- a fact often lost because of the prominence of Womack's unique vocal ability.
Creative Loafing (Atlanta)  |  L. Michael Gipson  |  09-22-2009  |  Reviews

Visceral Hooks Reign Supreme on The Pinx's Latestnew

Rock exuberance a la Sabbath, Zeppelin and Queens of the Stone Age puts an emphasis on skewed pop, which comes across in the bellow and chug of frontman Adam McIntyre.
Creative Loafing (Atlanta)  |  Chad Radford  |  09-22-2009  |  Reviews

On 'Time to Grow,' The Lovell Sisters Prove to be Bluegrass' New Standard-Bearersnew

Bluegrass and acoustic music are experiencing intriguing paradigm shifts as old-guard traditionalists like Bill Monroe and Jimmy Martin pass on, and crews of youthful, energetic musicians bring their contemporary ideas into the mix.
Creative Loafing (Atlanta)  |  James Kelly  |  09-22-2009  |  Reviews

Circulatory System's 'Signal Morning' is a Mess of Noisy and Bombastic Experimentsnew

Former Olivia Tremor Control leader Will Cullen Hart is at his hallucinogenic best when focusing on melodies and songwriting, but he rarely allows Signal Morning's songs to exist free of layers of sonic clutter.
Creative Loafing (Atlanta)  |  Chad Radford  |  09-22-2009  |  Reviews

Melanie Fiona's 'The Bridge' is a Fine Crossover Debutnew

The Guyanese vocalist is ankle-deep in the still-lingering '60s retro-soul revival.
Creative Loafing (Atlanta)  |  L. Michael Gipson  |  09-22-2009  |  Reviews

Simon Joyner Has Reached an Apex with 'Out into the Snow'new

Out Into the Snow is another link in a chain of crystalline, post-Dylan perfection.
Creative Loafing (Atlanta)  |  Chad Radford  |  09-22-2009  |  Reviews

Box Elders' Debut Unveils the Group's Beautiful, Jagged Soundnew

The noisy concoctions of surf and '60s pop inflections in "Stay," "Necro" and "Talk Amongst Yourself" will inevitably draw comparisons to the Black Lips, but beyond the murk and garage riffs, ramped-up pop energy drives the record through to the end.
Creative Loafing (Atlanta)  |  Chad Radford  |  09-22-2009  |  Reviews

The Revelations Create a Roof-Raising Soul Albumnew

Deep Soul owners looking for unreleased material on producer Bob Perry's 15-track set will enjoy Rell's greasy, slow drag of Carole King's "It's Too Late," Williams' ripping version of Latimore's "Let's Straighten It Out," or the oh-you-dirty-dog single "How Do I Tell Him."
Creative Loafing (Atlanta)  |  L. Michael Gipson  |  09-22-2009  |  Reviews

Darien Lifts the Gentleman-Soul Mantle on 'Walls'new

While boatloads struggle to be Stevie Wonder, Donny Hathaway or Marvin Gaye, one Mount Vernon, N.Y., artist is lifting the gentleman-soul mantle from Peabo Bryson's tight grasp.
Creative Loafing (Atlanta)  |  L. Michael Gipson  |  09-22-2009  |  Reviews

Nomen Novum Unravels a Gorgeous Document of Textures on 'Paradises'new

It's not quite appropriate to label such songs as "The Color of Water" and "Miracles Come True" minimalist, but each one builds upon looping and layered cycles of drone and bliss.
Creative Loafing (Atlanta)  |  Chad Radford  |  09-22-2009  |  Reviews

Brandon Patton's 'Underhill Downs' is Full of Smoothly Produced, Heavily Overdubbed Tracksnew

Though his debut Should Confusion was released near the beginning of the decade, Staten Island, N.Y., singer/songwriter Brandon Patton didn't put out his second album, Underhill Downs, until now, owing to his steady gig as bassist for nerdcore rapper MC Frontalot.
Creative Loafing (Atlanta)  |  Ben Westhoff  |  08-25-2009  |  Reviews

Jay Reatard Switches Gears for a Less-Than-Spastic Pace on 'Watch Me Fall'new

Jay Reatard's second proper album is a refined pop offering that oozes with three-chord depression and loathing.
Creative Loafing (Atlanta)  |  Chad Radford  |  08-25-2009  |  Reviews

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