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Big Boi Sir Lucious Left Foot: The Son of Chico Dustynew

Whether it is prurient raps by T.I. on the vamping sex-jam "Tangerine," or emotionally wrought singing by Jamie Foxx on the dramatic "Hustle Blood," or naturally far-out exchanges from George Clinton and Too $hort on the plinking "Fo Yo Sorrows," Big Boi gets plenty of mileage from his guests.
Tucson Weekly  |  Michael Petitti  |  08-31-2010  |  Reviews

Roll Acosta: The Dawnnew

Jacob (Roll) Acosta is a singer-songwriter and classically trained guitarist who fronts an acoustic folk-pop trio that bears his nickname.
Tucson Weekly  |  Gene Armstrong  |  08-31-2010  |  Reviews

Walter Gibbons: Jungle Music: Mixed With Lovenew

Walter Gibbons was there back in the day, at disco's inception, in the legendary dance clubs of New York City.
Tucson Weekly  |  Carl Hanni  |  08-31-2010  |  Reviews

Sia: We Are Bornnew

In a just universe, our reigning queen of pop would be Sia Furler, not Lady Gaga.
Tucson Weekly  |  Sean Bottai  |  08-31-2010  |  Reviews

Danger Mouse and Sparklehorse: Dark Night of the Soulnew

Dark Night of the Soul has finally been released, four months after Mark Linkous took his own life.
Tucson Weekly  |  Stephen Seigel  |  08-31-2010  |  Reviews

Hillstomp: Darker the Nightnew

The third studio album by this raw country-blues-punk duo from Portland starts with "Hammer Ring," which sounds like a field chant filtered through a beat-up old transistor radio, with shots of shallow bucket drums walloping through the distortion.
Tucson Weekly  |  Gene Armstrong  |  08-13-2010  |  Reviews

Arcade Fire: The Suburbsnew

If you can find it in your heart not to begrudge the spinning of mythology out of suburban sprawl, then you're cleared to fall for The Suburbs.
Tucson Weekly  |  Sean Bottai  |  08-12-2010  |  Reviews

The Grownup Noise: Shall We? (Self-Released)new

Boston's The Grownup Noise are anything but noisy For them, maturity means a contemplative focus of sound They're a band that revels in the beauty of a simple melody delivered with minimal enhancement for maximum emotional effect—it's grown-up in its precision...
Tucson Weekly  |  Annie Holub  |  08-11-2010  |  Reviews

Carissa's Wierd: They'll Only Miss You When You Leavenew

Though Carissa's Wierd's arrangements got more complex as they progressed and added members, there is a hushed beauty that runs throughout these songs.
Tucson Weekly  |  Stephen Seigel  |  08-06-2010  |  Reviews

The Love Language: Librariesnew

Recorded entirely by Stuart McLamb and producer/engineer BJ Burton, 'Libraries' shimmers with the same intricate aura of a Bruegel painting, a symphony or a novel.
Tucson Weekly  |  Annie Holub  |  08-04-2010  |  Reviews

Setting Sun: Fantasurrealnew

Brooklyn-based singer-songwriter Gary Levitt, who plays most of the instruments on the latest full-length CD from his project Setting Sun, is adept at contrasts.
Tucson Weekly  |  Gene Armstrong  |  08-02-2010  |  Reviews

Thieves Like Us: Again and Againnew

The music of Thieves Like Us is saturated with the unmistakable sounds of new wave -- specifically, synth sounds straight out of Joy Division, New Order and The Cure's sound banks.
Tucson Weekly  |  Annie Holub  |  07-30-2010  |  Reviews

The Tangelos: Greatest Hitsnew

There's a careful balance of folk-rock, soul and country in these 11 tunes, written by singer and guitarist Joshua Butcher.
Tucson Weekly  |  Gene Armstrong  |  07-29-2010  |  Reviews

M.I.A.: Mayanew

In 'Maya', M.I.A. is less of a rabble-rouser, and more of a dance-club diva-cum-punk high priestess.
Tucson Weekly  |  Sean Bottai  |  07-15-2010  |  Reviews

Tom Petty and the Heartbreakers: Mojonew

Tom Petty's massive vault-raiding effort to put together last year's The Live Anthology established a clear path to Mojo, a bluesy, jammy, slower and less-catchy record for Petty.
Tucson Weekly  |  Eric Swedlund  |  07-07-2010  |  Reviews

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