AltWeeklies Wire

One Soul LP, Hold the Soulnew

Fante's is a sanitized, smiley-faced soul with none of the guts or grandeur of his musical forefathers. Perhaps with time and experience he'll join their ranks; for now, he's a pleasant-enough accompaniment to a Frappucino. Also reviewed is Martina Topley-Bird's Anything.
Illinois Times  |  René Spencer Saller  |  09-23-2004  |  Reviews

Pity the GOP Hipsternew

Even Republicans -- if they could get over the fact that 100 percent of sales proceeds go to godless, tree-hugging, wealth-redistributing deviants -- might actually like this CD. Also reviewed is Keren Ann's Not Going Anywhere.
Illinois Times  |  René Spencer Saller  |  09-23-2004  |  Reviews

A Compilation More Safe Than Sorrynew

If anyone deserves a tribute album, it's the criminally underappreciated Escovedo, whose idiosyncratic songwriting -- a deeply personal amalgam of ragged roots-rock, haunted chamber-folk, righteous Tejano, corrosive country-punk, and countless other genres that haven't been identified yet -- is in a class of its own.
Illinois Times  |  René Spencer Saller  |  08-26-2004  |  Reviews

Singer-Songwriter Anna Padgett Finds the Laugh in Heartbreaknew

Like the Naysayer's previous records, Kitten Time is a study in sparseness, a strange miniature built around droll observations and sly, minimalist guitar figures. Also reviewed is The Hungry Mind Review's self-titled album.
Illinois Times  |  René Spencer Saller  |  08-19-2004  |  Reviews

Americana Beautynew

On this album, Jolie Holland doesn't just doll up hissy old 78s for the digital age; she taps into their timeless passions and creates something fresh and arresting, something that's hard and pure and anything but quaint. Also reviewed is Nina Nastasia's Dogs.
Illinois Times  |  René Spencer Saller  |  08-12-2004  |  Reviews

Tipping Ever So Slightly to the Centernew

Even though Tipping is weaker that The Roots' last album, Phrenology, it still smacks the pants off most commercial-rap-radio fare.
Illinois Times  |  René Spencer Saller  |  08-05-2004  |  Reviews

Songs That Demand to Be Hummednew

A honeycomb tangle of bright, sticky hooks and tart counterpoint, this disc teems with ideas. Also reviewed is Petracovich's Blue Cotton Skin.
Illinois Times  |  René Spencer Saller  |  07-22-2004  |  Reviews

The More Things Change...new

The sound of !!! is goofily anarchic, a jumble of scabrous funk, brittle postpunk, and pockmarked disco, a clanging, clattering, sample-studded din that suddenly opens up to reveal disquieting spaces. Also reviewed is Eleni Mandelli's Afternoon.
Illinois Times  |  René Spencer Saller  |  07-15-2004  |  Reviews

Haunted by High Expectations, Wilco Produces a Minor Ghostnew

Ghost is far from awful -- in fact, it's often painfully lovely -- and, if you can get past the occasional proggish pretense, the interminable stretches of pure noise, and some embarrassing lyrical missteps, you'll find much to admire.
Illinois Times  |  René Spencer Saller  |  07-08-2004  |  Reviews

Remain the Same, or Reinventnew

Most artists survive by reinventing themselves. But rock star Patti Smith, like God and Edith Piaf, is eternal. Also reviewed is "Uh Huh Her" by PJ Harvey, who is in some ways Smith's heir and in others her opposite.
Illinois Times  |  René Spencer Saller  |  07-02-2004  |  Reviews

Outright Confessions, Fevered Dreamsnew

Like its predecessors, "i" is organized on the basis of a conceit (both definitions of the word might apply): All of the song titles begin with the ninth letter of the alphabet and appear in alphabetical sequence.
Illinois Times  |  Rene Spencer Saller  |  06-18-2004  |  Reviews

A Murmur That's Sexy and Compellingnew

Although Sam is no longer pigeonholed as a religious songwriter, she still sings about the state of her soul, the temptation to succumb to despair or hedonism, the need to glean meaning and hope from the dispiriting vastness. A second review is of Jay Farrar's "Stone, Steel & Bright Lights."
Illinois Times  |  René Spencer Saller  |  06-14-2004  |  Reviews

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