AltWeeklies Wire

Bill Callahan's Latest Is More Accessible, At Least Musicallynew

The songs on Sometimes I Wish We Were an Eagle may have sprung from Bill Callahan's parting with fellow indie-folker Joanna Newsom, but this album will be remembered long after the gossip is forgotten.
Creative Loafing (Atlanta)  |  Ben Westhoff  |  05-06-2009  |  Reviews

Ian Svenonius Reinvents Himself Againnew

Down with Liberty...Up With Chains finds D.C. humorist/antagonist Ian Svenonius exploring muffled and slow punk/soul grooves that evoke genius in subversive ways.
Creative Loafing (Atlanta)  |  Chad Radford  |  05-06-2009  |  Reviews

Obits Turn Back the Clocknew

The debut album from Obits--the latest band to showcase vocalist/guitarist Rick Frober--is not what you might expect.
Tucson Weekly  |  Sean Bottai  |  04-29-2009  |  Reviews

'Beware' of Bonnie 'Prince' Billynew

Perhaps Will Oldham has gotten too good at what he does, and/or this is just the natural progression of Oldham's voice and technique--but here's hoping the next one doesn't sound so phoned in.
Tucson Weekly  |  Brian Mock  |  04-29-2009  |  Reviews

Theresa Andersson's 'Hummingbird, Go!'new

Theresa Andersson steps outside her roots-music box to discover success on a national scale.
Gambit  |  Michael Patrick Welch  |  04-28-2009  |  Reviews

Asher Roth Is 'Asleep'new

Being a privileged white guy from the Philly suburbs doesn’t disqualify Asher Roth from legitimate hip-hop MC status—not being able to spin an interesting yarn does.
OC Weekly  |  Ben Westhoff  |  04-28-2009  |  Reviews

Leela James' 'Let's Do It Again'new

Giving classic soul the kind of contemporary kick it's been crying out for, in the end Let's Do It Again only begs one question: "When?"
Houston Press  |  Chris Gray  |  04-28-2009  |  Reviews

The Secret Handshake's 'My Name Up in Lights'new

Few acts among the crowded Dallas mall-pop scene are as sonically promising as The Secret Handshake.
Dallas Observer  |  Pete Freedman  |  04-27-2009  |  Reviews

'Ten' + 18

Pearl Jam's touchstone grunge record gets a fresh coat of paint 18 years later.
Metroland  |  John Brodeur  |  04-23-2009  |  Reviews

Silversun Pickups' 'Swoon' Produces a Musical Fugue Statenew

The second full-length album by this young Los Angeles quartet melds pop-rock conventions with robust guitarscapes, hypnotic rhythms and lyrics that juggle angst, trepidation and beauty.
Tucson Weekly  |  Gene Armstrong  |  04-23-2009  |  Reviews

Depeche Mode Is Still Chainednew

Depeche Mode has made their most sonically inspired and creative effort since 1986's Black Celebration.
Tucson Weekly  |  James Hudson  |  04-23-2009  |  Reviews

'Wyllt' Is the Stuff of Nightmaresnew

For every horrendous indie-rock act praised in the virtual pages of music blogs, there's a musically accomplished group of post-headbangers knocking on hell's door--and one such group is Black Math Horseman.
Tucson Weekly  |  Jarret Keene  |  04-23-2009  |  Reviews

Are They Battling the Devil, or Music Itself?

Eddie Argos and company return with an album that finds them running out of ideas, but finding just enough new ones to keep things interesting.
Metroland  |  John Brodeur  |  04-22-2009  |  Reviews

California Rockers Make Big Strides with Their Second LPnew

Silversun Pickups break out of the shadows and into their own identity with their terrific second album Swoon.
Metroland  |  John Brodeur  |  04-22-2009  |  Reviews

Meet the New Rock Opera

Colin Meloy and the Decemberists stretch their penchant for story-songs into an album-length piece on The Hazards of Love.
Metroland  |  John Brodeur  |  04-22-2009  |  Reviews

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