AltWeeklies Wire

Incubus: 'Incubus HQ Live'new

To celebrate both the release of 2011’s If Not Now, When? (their first studio album in five years) and the fact they’ve been together for 20 years, Incubus invited its fans to six free, intimate nights at a storefront on La Brea in West Hollywood.
San Antonio Current  |  Enrique Lopetegui  |  08-16-2012  |  Reviews

Last Nighters: 'Animal Room'new

Animal Room, the debut LP by San Antonio’s Last Nighters, plays like something of a concise history of modern Southern indie music.
San Antonio Current  |  James Courtney  |  08-16-2012  |  Reviews

Joss Stone: 'The Soul Sessions Vol. 2'new

For someone so musically addicted to re-introductions, Joss Stone is pretty damn bad at them.
San Antonio Current  |  Justin Strout  |  08-16-2012  |  Reviews

Crosby, Stills & Nash: 'CSN 2012 (Live)'new

Time hasn't been kind on CSN, judging by their first live performance in 20 years.
San Antonio Current  |  Enrique Lopetegui  |  08-16-2012  |  Reviews

Spider Bags' Shake My Headnew

At its foundation, Shake My Head is a collection of straightforward bar-rock songs. Walking (well, staggering) rhythms lend a vintage R&B swing behind overdriven guitar lines that mine '70s rock and pop.
INDY Week  |  Bryan C. Reed  |  08-08-2012  |  Reviews

Bad Breaks: 'Bad Breaks'new

Bad Breaks really captures my attention at the moment of transition into "Seppuku," the album's second (and best) song.
San Antonio Current  |  James Courtney  |  08-02-2012  |  Reviews

Oulipo's Primitive Waysnew

Primitive Ways sounds like the next step of an almost great band, drunk on possibilities but still learning how to present them.
INDY Week  |  Grayson Currin  |  08-02-2012  |  Reviews

No Eyes' No Eyesnew

No Eyes' self-titled EP is like a Texas psych-rockin' longhair in the midst of getting his mop snipped into a neat London bowl, but some loose ends still await their trim.
INDY Week  |  Corbie Hill  |  08-02-2012  |  Reviews

Los Texmaniacs: 'Texas Towns & Tex-Mex Sounds'new

When it comes to condensing everything that's great about Tex-Mex into a CD that pleases both the people and academia, nobody does it better than the Texmaniacs and the Smithsonian.
San Antonio Current  |  Enrique Lopetegui  |  07-29-2012  |  Reviews

Public Enemy: 'Most of My Heroes Still Don't Appear On No Stampnew

Despite their storied place in the hip-hop pantheon, it’s been a long time since Public Enemy has been relevant.
San Antonio Current  |  M. Solis  |  07-29-2012  |  Reviews

Sohns: 'Ripe/Rot' EPnew

Gloomy sounds of struggle and organ washes open up this EP from Sohns, a quartet of local racket-raisers, but it jumps right into some rewarding noise on track two, the wonderfully titled "Soul Train Blues of the Broken Skull."
San Antonio Current  |  Leonard Pierce  |  07-29-2012  |  Reviews

MTMTMK: 'The Very Best'new

The marriage of London-based production/DJ duo Radioclit and Malawian singer Esau Mwamwaya, The Very Best has yielded both deeply soulful and intoxicatingly carefree moments through two mixtapes and one album before MTMTMK.
San Antonio Current  |  James Courtney  |  07-27-2012  |  Reviews

Nas: 'Life is Good'new

Though universally considered one of the greats, Nas has worked, to some extent, in the shadow of Biggie and 2Pac since his rapturous emergence in 1994.
San Antonio Current  |  James Courtney  |  07-27-2012  |  Reviews

Sea Changenew

Frank Ocean, 'Channel Orange,' and the tides of love.
North Bay Bohemian  |  Gabe Meline  |  07-16-2012  |  Reviews

King Mez's My Everlasting Zealnew

As far as rap in The Tar Heel State goes right now, King Mez is our leader. And like The Listening a decade before it, this is the new classic text. (self-released)
INDY Week  |  Eric Tullis  |  07-16-2012  |  Reviews

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