AltWeeklies Wire

My Morning Jacket Buck Rock Traditionnew

Twenty years from now, when classic-rock radio is still on an endless rotation of Steppenwolf and Deep Purple and My Morning Jacket is a nostalgia-fueled arena headliner without a nationwide FM presence, the cold reality of obsolescence might finally dawn upon the rockists of yore. Since their earliest years, the Louisville band have possessed all the makings of what made the Allmans, CCR and Led Zep so great: tunes that latch on immediately and don’t let go, audacious ideas about the conventions of American music, massive guitar solos and, of course, lots and lots of hair.
YES! Weekly  |  Ryan Snyder  |  12-22-2011  |  Reviews

The Dave Brubeck Quartet: Their Last Time Outnew

If you know only one jazz song, chances are it's by the Dave Brubeck Quartet. That tune, 1959's "Take Five," along with a string of successful subsequent releases, made Brubeck and his band the most well-known and successful jazz band of the '60s.
San Antonio Current  |  J.D. Swerzenski  |  12-22-2011  |  Reviews

Charlotte Gainsbourg: Stage Whispernew

If there's a group more likely to make terrible records than the offspring of rock stars, it's actors. Charlotte Gainsbourg just so happens to fall into both categories.
San Antonio Current  |  J.D. Swerzenski  |  12-22-2011  |  Reviews

The Roots: Undunnew

The Roots have delivered increasingly poignant and thematically focused records on life's trials. undun, their 13th album, is their most emotive, urgent, and (at less than 40 minutes) brief work.
San Antonio Current  |  Adam Villela Coronado  |  12-22-2011  |  Reviews

Los Campesinos!: Hello Sadness (Arts & Crafts)new

A first listen to the sturdy fourth album by Welsh cadre Los Campesinos!, Hello Sadness, can be distressing. Gareth Campesinos! snarls uncomfortably naked lines; the music vacillates almost incongruously from overcharged to restrained; and the whole ordeal feels profoundly removed from the band's previous work...
Tucson Weekly  |  Michael Petitti  |  12-15-2011  |  Reviews

Hall & Oates: Guilt, Pleasurenew

In a more reasonable world, no one would ever have to closet their love of Hall & Oates.
YES! Weekly  |  Ryan Snyder  |  12-14-2011  |  Reviews

Live & Local: Mitch Webb and the Swindlesnew

Midway through Mitch Webb's set at Salute, a guy opened the door, took a quick look inside, grabbed his head in amazement, and left. I couldn't hear what he said, but I could read his lips: "Damn!"
San Antonio Current  |  Enrique Lopetegui  |  12-08-2011  |  Reviews

Trip the Light: Fantastic EPnew

This album is further proof that we live in a time when all genres bleed, where the experimental indie rock of Panda Bear heavily borrows the music theory of '90s trance, two styles once thought to be in different hemispheres.
San Antonio Current  |  Adam Villela Coronado  |  12-08-2011  |  Reviews

Maria Rita: Elonew

Four-time Latin Grammy winner Maria Rita is not only the daughter of the late Elis Regina (arguably Brazil's greatest singer ever) and legendary pianist/composer Cesar Camargo Mariano — she's a star on her own, and deservedly so.
San Antonio Current  |  Enrique Lopetegui  |  12-08-2011  |  Reviews

The Black Keys: El Caminonew

Have the Black Keys been making the same record for the last 10 years?
San Antonio Current  |  J.D. Swerzenski  |  12-08-2011  |  Reviews

Mickey Moonlight: And The Time Axis Manipulation Corporationnew

This album is branded as the score for your favorite college parties.
San Antonio Current  |  Adam Villela Coronado  |  12-08-2011  |  Reviews

Kooley High's David Thompsonnew

As it relates to Kooley High, hang time means relevance and continued musical growth—two things they accomplish here, even if the crew is a little fragmented. (Mecca Records)
INDY Week  |  Eric Tullis  |  12-08-2011  |  Reviews

T0W3RS' Summertimenew

In the 10 minutes of their debut EP, Chapel Hill's T0W3RS suggest a special, multivalent magic. (Diggup Tapes)
INDY Week  |  Grayson Currin  |  12-08-2011  |  Reviews

Jeff Hart's Ghosts of the Old North State (Singles 1991-2011)new

Built on a base of country twang but finished with touches of British Invasion rock, '60s garage pop, '70s Laurel Canyon, North Carolina bluegrass and jangle pop, Ghosts reveals Hart as an equally fine collector and creator. (Bombay Records)
INDY Week  |  Chris Parker  |  12-08-2011  |  Reviews

Sabra Faulk: Acoustic Angelnew

Those in the business of writing about music love to make comparisons; it makes the job easier. This makes it all the more challenging (and gratifying!)
Tucson Weekly  |  Jim Lipson  |  12-05-2011  |  Reviews

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