AltWeeklies Wire

Onward, Soldiers' Monstersnew

On Monsters, Onward, Soldiers' talent is clear, but their focus is not.
INDY Week  |  Jordan Lawrence  |  02-22-2012  |  Reviews

Move Over, Tool — Secret Secure is Herenew

Before taking over the world and the BBC's Top of the Pops, the early Beatles leaned on John Lennon to cheer them out of depressed bouts in shitty dressing rooms.
San Antonio Current  |  Enrique Lopetegui  |  02-16-2012  |  Reviews

Mrs. Howl: 'Lovie & a Yellow Lamp'new

It’s not difficult to see why Girl in a Coma’s Nina Díaz might take an interest in producing Dallas-to-SA transplants Mrs. Howl.
San Antonio Current  |  Adam Villela Coronado  |  02-16-2012  |  Reviews

Jeff Mangum Thrills Chapel Hill Crowd

It took some coaxing from the unassuming Jeff Mangum before the murmur of voices was mildly audible, and it wasn’t until nearly the end of his set that his hundreds of new back-up vocalists actually raised their voices to meet him.
YES! Weekly  |  Eric Ginsburg  |  02-16-2012  |  Reviews

Paying Respect to the Queen of Soul

She sang at Obama’s inauguration. She sang at King Curtis’s funeral. She even sang at Wrestlemania in its golden years, but after a lengthy wait and serial cancellations, Aretha Franklin finally came back to sing for North Carolina.
YES! Weekly  |  Ryan Snyder  |  02-16-2012  |  Reviews

Get to know this guy A$AP

By about 12:10 a.m. early Saturday morning at Greene Street Club, the scene on stage had essentially crumbled. What was at one time a sold-out hip-hop show by one of the brightest up-and-coming rappers out there had become an unidentifiable onstage cluster of iPhone documentarians, dumbfounded security, a few random dudes smoking kush, and the show’s headliner hovering in the mix. Dirty South hip-hop is legendary for shows like this, but that it was Harlemite A$AP Rocky is what makes it all the more curious.
YES! Weekly  |  Ryan Snyder  |  02-16-2012  |  Reviews

We Leave at Midnightnew

If you took Crosby, Stills & Nash and overdubbed them the way the Beatles recorded "Because," added the Band, Pet Sounds-era Beach Boys, and a pinch of doo-wop and blended it all with the most pop-friendly yet artsy sounds you can find from the '70s through the '90s, you're only scratching the surface of We Leave at Midnight's sound
San Antonio Current  |  Enrique Lopeteguin  |  02-16-2012  |  Reviews

Piñata Protest: Plethora 'Reloaded'new

In January 2010, Piñata Protest went through the last of five years of lineup changes: bassist Omar Nambo departed for L.A. to pursue other musical interests, and guitarist Manuel García left for reasons only García and songwriter/vocalist/box-squeezer Álvaro Del Norte know.
San Antonio Current  |  Adam Villela Coronado  |  02-16-2012  |  Reviews

Howlin Rain: 'Russian Wilds'new

Coming from the ashes of the wildly noisy Comets of Fire, Howlin Rain's music bears little resemblance to that group's cathartic psychedelic sound, mining instead traditional classic rock and soul for inspiration.
San Antonio Current  |  Marcus Rubio  |  02-16-2012  |  Reviews

The Passion of the Whites

“I can’t half see straight,” Mamie White declared the moment after being handed a microphone Friday night at Johnny & June’s Ultra Saloon. “I’m just kiddin’.”
YES! Weekly  |  Ryan Snyder  |  02-16-2012  |  Reviews

Lawrence Ball: Method Musicnew

Few fans of the Who know or care about all that's been going on in Pete Townshend's intensely busy mind. Those who do may have followed the episodic progress of his utopian Lifehouse project, which resurfaced memorably around 2006 with his effort to synthesize a mass of original music gathered online.
Tucson Weekly  |  Linda Ray  |  02-16-2012  |  Reviews

Van Halen: 'A Different Kind of Truth'new

We can hardly expect A Different Kind of Truth — the first Van Halen album since brothers Eddie and Alex reunited with frontman David Lee Roth, released 40 years after the band's formation and 28 years after its last great record.
San Antonio Current  |  Jeremy Martin  |  02-15-2012  |  Reviews

The ExMonkeys' Use Your Toolsnew

The body rock is strong on Use Your Tools. Yes, this is bass worth thumping; The ExMonkeys' percussive physicality translates nicely to headphones and car stereos.
INDY Week  |  Corbie Hill  |  02-15-2012  |  Reviews

Jphono1's Living Is Easynew

Living Is Easy is a new double collaboration between Jphono1—the solo project of John Harrison, veteran frontman of stormy psychedelic act North Elementary—and area graphic artist Regina McCoy and Atlanta musician Corey Pallon.
INDY Week  |  Grayson Currin  |  02-15-2012  |  Reviews

Hank Topless: It's So Decembernew

Trading in wry wordplay and hard-won wisdom, singer-songwriter Hank Topless uses his warm baritone voice to weave lovely songs of nostalgia, darkness and occasional joy. The nine classic honky-tonk tracks on this new album explore a combination of humor and emotional tumult.
Tucson Weekly  |  Gene Armstrong  |  02-13-2012  |  Reviews

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