AltWeeklies Wire
Seattle Rapper D. Black Trades Rhymes for Religionnew
Most musicians with a brand new album would probably spend a Friday night at clubs or music venues, either playing a show or promoting their record. But Black isn't interested in any of that. In fact, he's ready to give up rap entirely.
Seattle Weekly |
Jonathan Cunningham |
09-14-2009 |
Profiles & Interviews
Seattle Hip-Hop Act Merges Old-School Swagger with New-School Appealnew
Dyme Def lives on that thin line between cockiness and confidence. They fully embrace rap's boasting tradition, but they're comical enough with their punch lines and prose that it works.
Seattle Weekly |
Jonathan Cunningham |
04-27-2009 |
Profiles & Interviews
Neil Diamond Taps Los Volcanoes for Grammy Partynew
How an obscure local tejano band came to share a bill with Coldplay and Tim McGraw.
Seattle Weekly |
Mike Seely |
02-10-2009 |
Profiles & Interviews
Zach Harjo Makes a Record He Actually Likesnew
Like Tom Waits, or the criminally under-referenced Randy Newman, Harjo mostly sidesteps the usual singer-songwriter trappings of personal confession, instead creating scenes and characters plucked from the dustier fringes of Americana.
Seattle Weekly |
Brian J Barr |
12-08-2008 |
Profiles & Interviews
Seattle's Conrad Ford Finds Beauty in Highway 99new
The band is a hushed and ghostly Americana outfit cut from the same vintage fabric as Barton Carroll and Jesse Sykes.
Seattle Weekly |
Hannah Levin |
11-25-2008 |
Profiles & Interviews
Twenty Years of Supersuckersnew
Some time around Thanksgiving, Rontrose and crew will celebrate their 20th anniversary as punk's answer to hedonistic, cowboy-hat wearing, meat-and-potatoes American rock 'n' roll.
Shepherd Express |
Joe Uchill |
08-08-2008 |
Profiles & Interviews
Dyslexic Artnew
John Roderick of the Seattle-based band The Long Winters basically writes in non sequitirs and walks around all day in wet shoes.
Riverfront Times |
Mike Seely |
09-27-2005 |
Profiles & Interviews
Bear With Themnew
Minus the Bear's latest CD represents a major shift away from the frenetic, knotty post-punk of recordings past.
Riverfront Times |
Michael Alan Goldberg |
09-13-2005 |
Profiles & Interviews
